Word: trivialized
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Dates: during 1970-1979
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This is the homestretch of the silly season, when state legislatures across the land seem to vie for the imaginary Golden Nit. There is nothing imaginary, though, about the time, effort and deliberation they customarily devote to the trivial, the insignificant, the utterly negligible. Nebraska's legislature, for example, has just dealt with a bill to add, as consumer representatives, two corpses to the state anatomical board: that passes for humor in Lincoln. Rhode Island's senators breezily adopted a resolution praising the hairdo of a female legislator, but the house turned aside a proposal to decree ricotta...
...Burl Reynolds wanted to he could spend the rest of his life playing nice guys in trivial movies. He is the best light leading man around, and as long as he plays it safe, he can pull in the big bucks. But Reynolds is restless; he tries to stretch himself. In Hustle and Semi-Tough, his macho screen personality has been tempered by moments of vulnerability and wistfulness. In Gator he plunged into directing. Not all of these experiments have paid off, but they do make for a fascinating career. In contrast to such superstars as Clint Eastwood and Robert...
...points. On one side is narrative content, and on the other cinematic technique. In the center is the integration: art to convey a message. He places Annie Hall on the narrative content side (he considers the film cinematically inept), and Jaws on the side of good cinematic technique with trivial content. Neither bridges the gap the way Welles' Touch of Evil, superficially seen as a lurid melodrama, does, creating a broader cinematic metaphor. He gives Annie Hall a grade of B-, Jaws a D. So much for my favorite films...
Bundy concluded that though the subject of nuclear arms is not "trivial," it should not be unduly exaggerated to frighten people. Bundy stressed the necessity of changing public perception of the danger of nuclear proliferation
Well, did it happen quite that way? The series accomplished much, mainly in transmitting information about events that must never be forgotten. But it raised many questions, both trivial and profound. Scriptwriter Green, an intelligent and indefatigable craftsman, author of The Last Angry Man, designed an epic that follows a bourgeois German Jewish doctor, Josef Weiss, and his family through the stricken, incomprehensible years 1935 to 1945. Dr. and Mrs. Weiss die at Auschwitz, as does their oldest son, Karl. A daughter, Anna, becomes autistic after her rape by drunken Nazis; in a procession of the retarded and aged...