Word: tristan
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Dates: during 1930-1939
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...Tristan und Isolde" is this evening's opera and should prove as fine here as it has in New York during the past winter...
Kirsten Flagstad, who has justly proved such a sensation, will sing the role of Isolde--a part no less grueling than that of Brunhilde in the Ring which she is also to sing here in Boston. The role of Tristan is to be taken by the well known Wagnerian tenor, Lauritz Melchior. This part is without doubt one of the most thankless in all grand opera from the acting standpoint, for during the entire last act, Mr. Melchior is forced to toss feverishly on a couch in death agonies while at the same time singing a long and rather dull...
...world of Europe for a few shell-shocked years during and immediately after the War. The object of dadaism was a conscious attack on reason, a complete negation of everything, the loudest and silliest expression of post-War cynicism. "I affirm," wrote early Dadaist Hans Arp, "that Tristan Tzara discovered the word dada on the 8th of February, 1916, at 6 o'clock in the evening ... in the Terrace Cafe in Zurich. I was there with my twelve children when Tzara pronounced for the first time this word, which aroused a legitimate enthusiasm in all of us." (Later Dadaist...
...same year Paris dadaists gave a "Festival" in the respectable Salle Gaveau Concert Hall. The program bore the announcement: "Personal Appearance of Charlie Chaplin. The dadaists will pull their hair out in public." Neither event occurred, nor did such promised attractions as the first performance of Symphonic Vaseline by Tristan Tzara to be played by an orchestra of 20. Instead, young conservatives in the pit turned dadaists themselves, hurled tomatoes and hunks of raw meat (procured from a nearby butcher shop) at the stage while the dadaists volleyed back the missiles with delighted gusto. The owner of the building...
...fled Dresden after getting mixed up in revolutionary politics. In 1858 the musician and his wife Minna (Evelyn Varden) are under the patronage of Otto Wesendonck (Leo G. Carroll) at Zurich. With Tannhauser, Lohengrin, Das Rheingold and Die Walküre behind him, Wagner has finished the libretto of Tristan und Isolde, is working on the music, under the inspiration of Mathilda Wesendonck (Eva Le Gallienne), with the Schnorrs (Arthur Gerry and Beal Hober) singing his scores and Cosima Liszt von Bulow (Miriam Battista) fluttering about in round-eyed adulation. Minna - jealous, nagging, nerve-fraying epitome of an artist...