Word: treatment
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Dates: during 1950-1959
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...meet Kozlov. because 1) he was genuinely interested in seeing what manner of $10 million show the Russians had opened at the U.S. front door, and 2) he was more interested in seeing that Vice President Nixon gets the same kind of reciprocal top-level treatment when he opens the U.S. exposition in Moscow on July 25. For his part, genial Frol Kozlov, as Khrushchev's understudy, was out to get a look at the Soviet Union's chief competitor and potential enemy (his last known trip outside the U.S.S.R.: to Hungary, with Khrushchev, in April...
...Toulouse-Lautrec, finally, is amazing. Its title, Messaline, suggests its romantic aspect, and a far cry indeed from the realism of the Moulin Rouge is its rather Redonesque treatment of lighting, color and brush-work. Its monumental figures (note the left foreground personage or Messaline herself) and themes are straight out of the Golden Age, giving Lautrec a new dignity as a creator of significant content which I, for one, would never have thought possible...
...Christian Herter's performance at Geneva ("Dulles would have patched up [the Allied rifts] quicker"), opined that Britain's Prime Minister Harold Macmillan must be persuaded that "when one belongs to an alliance, he must give up some views of his own." But he reserved the roughest treatment of all for his much-abused Vice Chancellor, Ludwig Erhard. To CBS, Adenauer confided that he planned to stay in office as Chancellor through the 1961 elections and expected to have a voice in selecting his successor, a clear hint that he might keep Erhard out of the job even...
...chairman of the U.S. Communist Party. William Z. Foster, now 78 and so ill that he has never been tried on his 1948 indictments for conspiracy, asked a Manhattan court to lift the raps on him or let him go to the Soviet Union anyway. His reason: medical treatment costs too much...
...theme the playwright would later return to in Othello and Cymbeline. But at this time, Shakespeare was just casting about for a convenient skeleton to flesh. The whole business of the tragic slandering and the ensuing deception he took from older sources, and clearly wasted little effort on; his treatment of them is decidedly thin. The greatness of the play lies in what Shakespeare himself invented: the dazzing comedy of Beatrice and Benedick, who "never meet but there's a skirmish of wit between them"; and the inspired farce of Dogberry, Verges, and the night watch. (When he used Much...