Word: trapperã
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While some might say the social importance of a weekly sitcom is limited. M*A*S*H earned a cult prominence and then a social significance that guaranteed it more than a sitcom’s respect. Colonel Blake’s sad departure, Trapper??s hasty exit, and Radar’s return to Otumwa, Iowa prompted mourning and drunken reflection from avid viewers nationwide. M*A*S*H’s final episode, not surprisingly, became a national phenomenon, and we join the rest of the nation and the host of last-episode partiers in saying...
...some point along the creative process. And then the band plays on top of the globe, as well as in outer space, straddling the rings of Saturn. The song itself is indie college pop in its most unadulterated form. Politically conscious and goofy, country yet polished, Blitzen Trapper??s video collage is nothing if not pure fun. With an ongoing European tour through December, might these guys spread farm boy rock to France? Oui. Another geographical wonder courtesy of Blitzen Trapper...
...about to prove how much of a white-trash hick I am,” Trapper risked “be[ing] kicked out of the band” and backed the usually raucous “Minnesota” with a simple banjo. Trapper??s fast fingers and mastery of the instrument left the audience hoping for future banjo performances...
Every performance has a show-stopping moment, and Trapper??s was when he sang his newest song, “Starlight.” An autobiographical story of homesickness and missing the girl he left behind, “Starlight” had many girls (and some guys—though they’ll never admit it) in tears. “Starlight” is the kind of song every girl wants written about...
McLoughlin and MacMillan joined Trapper on stage (much to their surprise) for the fourth of his six(!) encore songs, “Miracle.” Their playing was a treat that reminded the audience that despite Trapper??s phenomenal performance as a solo artist, he is even better when joined by his fellow Push Stars. In the Push Stars’ “Who We Are,” Trapper sings, “The singer thinks he’s a superstar.” Indeed...