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Without Effort. One night last week, in Prades' Cathedral of St. Pierre, the Bishop of Perpignan welcomed the artists and the "musically select audience, all united here in the same spirit." Then as bald, spectacled Cellist Casals took his place in the transept, the entire audience rose with the orchestra in a quiet tribute...

Author: /time Magazine | Title: Music: Pleasure in Prades | 6/12/1950 | See Source »

...proscenium, no sconery allowed, no backstage, no dressing rooms, no curtains, etc.), the VTW production made inspirational use of its handicaps. Aside from the excellent cast now working "ensemble," the real coup do theatre was made by the designer, John Holabird, who moved his audience out into the transept of Memorial Hall in order that the coronation scene at Rheims could be enacted beneath its Gothic beams and stained glass windows. The audience stood during the scene, and when brought back into Sanders for the final scenes, stood once again in prolonged applause. This column called "Saint Joan" the next...

Author: By George A. Leiper, | Title: From the Pit | 5/11/1949 | See Source »

...Memorial Hall, a memorial of Harvard men who died in the Civil War. The great dining hall, now abandoned as such owing to a change in the eating habits of undergraduates, and the subsequently added Sander Theatre were certainly "utilities"; but the heart of the memorial was the Transept. Until after the first few years of the present century it had the aspect of a sanctuary. Those who passed through it removed their hats, and the Corporation, in granting the use of Sanders Theater, were careful to protect it from breaches of dignity and decorum. When, after an absence from...

Author: NO WRITER ATTRIBUTED | Title: The Case for a Memorial Plaque | 10/30/1948 | See Source »

...basement futurama is divided into two sections. Under the "hall" of Memorial Hall is the neat and modernistic home of the Psychology Department. Under Sanders Theater and the transept are the Psycho-acoustic laboratories...

Author: NO WRITER ATTRIBUTED | Title: Modern Memorial Hall Basement Could Easily Hold Activities Center | 3/4/1948 | See Source »

...Gothic transept, Sculptor Henry Moore's outsize figure of the Madonna & Child sat tranquil and serene. At the other hung Painter Graham Sutherland's agonized Christ on the Cross, bearing the sins and degradation of the world. Between them, in the center aisle, stood full-throated Soprano Kirsten Flagstad, singing Beethoven, Schubert, Wagner. The audience, warned not to applaud in the church, sat in pent-up enthusiasm which mounted from song to song, until at last, when Flagstad made her final bow, some 20 of her listeners jumped to their feet and silently bowed...

Author: /time Magazine | Title: Religion: Culture at St. Matthew's | 7/21/1947 | See Source »

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