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...little shorter than the other." That remark has been amplified by Phyllis Rose in her lively study of five 19th century couples. The title, Parallel Lives, has two meanings: the disparate views of marriage held by husband and wife, and the juxtaposition of twittering romantic expectations and tragic neuroses. Reading Rose's work is like turning a valentine to find graffiti underneath: not a pleasant experience, but a compelling one. The couples could not have been better chosen. Each contains one famous waiter: John Ruskin, Thomas Carlyle, John Stuart Mill, Charles Dickens and George Eliot, nee Marian Evans. Three...

Author: /time Magazine | Title: Books: Sex, Scandal and Sanctions | 10/24/1983 | See Source »

...good deal of the play's success hinges upon Henley's ability to subtly intertwine comedy with serious and problematical issues. Although the play revolves to a great extent around a present and history of tragic events--suicide, sterility, lost dreams--no one could confuse Crimes of the Heart with 'Night, Mother or Shadow Box. The play is first and foremost a comedy and with rare exceptions, even the pain and introspection come across with a humorous edge...

Author: By David H. Pollock, | Title: Misdemeanors | 10/17/1983 | See Source »

That aside, a few comments, Use of force is at the heart of policing. It is rarely used, however, and use of deadly force occurs even more rarely. However tragic the instances cited by Mr. Louis, the fact is that police exercise their legal right to use deadly force in only a minuscule percentage of cases in which its use would be justified--even when viewed in light of the most restrictive gun policy. Although it is rarely used, the capacity of police to legitimately use force shapes most, if not all, police contacts with citizens. Use of force...

Author: NO WRITER ATTRIBUTED | Title: More Deterrence | 10/11/1983 | See Source »

...bullfighters' hats, black frames that evoke the deep shadow of doors in light-struck village walls. But out of these signs Motherwell has fashioned a resonant and funereal sequence of images that, despite its repetitions (when in doubt, paint an Elegy), is one of the few sustained tragic utterances in post-Picassoan art. He has always been faithful to the abstract expressionist dictum (which he helped formulate) that subject matter is crucial...

Author: /time Magazine | Title: Art: Master of Anxiety and Balance | 10/10/1983 | See Source »

Fools of Fortune unfolds with the inevitability of Attic drama. The elegiac chapters and the grieving mood are expertly drawn, though dolefully unchanging. Similarly, the characters have perfect tragic pitch but limited range. They are, as Trevor obviously intended, ghostly creations speaking beyond pasion and hope. -By R.Z. Sheppard...

Author: /time Magazine | Title: Books: Tales of Lovers and Haters | 10/10/1983 | See Source »

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