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Word: tragically (lookup in dictionary) (lookup stats)
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Elaine's suicidal daughter, Grace (Lili Taylor), is a bizarre amalgamation of hobbies. Chain-smoking and accordion-wielding, Grace spends half her time playing with her transcendental turtles and the rest trying to seduce Axel. Whe finally succeeds, to tragic consequences, it's as if the two women are rifting on a sequel to "Mommie Dearest...

Author: By Marco M. Spino, | Title: 'Arizona' Dreamin' Of a Hipper Movie | 3/9/1995 | See Source »

...these and a host of other incidents smoothly and seamlessly, providing us with just enough of the details of court protocol, carriage rides and commissions that make the late 18th century so exotic. Mozart and the members of his circle come vividly alive-not only his father and remote, tragic mother, but also Constanze, his flighty, second-choice wife who turned professional widow (and mythmaker) after his death; and his cousin Basle, with whom he not only exchanged famously scatological letters but also, Solomon suggests, enjoyed active and uninhibited sexual relations...

Author: /time Magazine | Title: MYTH OF THE DIVINE CHILD | 3/6/1995 | See Source »

...leading scorer and second leading Scorer and second leading rebounder) for the last half of the year due to a back injury--a problem that also left him at much less than full speed in the first half of the year--and a sad tale becomes almost as tragic as sports...

Author: By Mayer Bick, | Title: Men's Cagers to Close Out Disappointing Season | 3/3/1995 | See Source »

...happiness does not last long. After Carmine forces Mamma Roma back on the streets, Ettore falls in with a crowd of young delinquents. He quits school and his job and begins to steal, even from Mamma. This soon leads him to prison, as it leads the film to its tragic ending...

Author: By William G. Ferullo, | Title: Pasolini's `Mamma' | 3/3/1995 | See Source »

...restaurant "just like a Caravaggio figure"), to Mantegna's "Cristo morto," to Vivaldi, whose religious music provides the backdrop for much of the film. This tension between Marxism and Catholicism, neorealism and symbolic references, is never overwhelming. It enhances each sequence, beautifying that which is most ugly, most tragic, or even most ordinary in a film determined to expose just these elements of Roman life...

Author: By William G. Ferullo, | Title: Pasolini's `Mamma' | 3/3/1995 | See Source »

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