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English 168d: "Postwar American and British Fiction," which counts toward Literature and Arts A. (Although the crowd in this class probably has more to do with the headlining professor, the inimitable James Wood, than the fact that it counts as a core class. Let's be honest—is anyone going to compete with a flock of fawning English concentrators when all they really want is an easy A in a core...

Author: By Bonnie J. Kavoussi | Title: Cores Flowing Out the Doors | 9/4/2009 | See Source »

Aesthetic and Interpretive Understanding 37: "Introduction to the Bible in the Humanities and the Arts," which counts toward Literature and Arts A. (Granted, this is Gordon Teskey, and he's awesome...

Author: By Bonnie J. Kavoussi | Title: Cores Flowing Out the Doors | 9/4/2009 | See Source »

...they are, questions of cause are futile—the only question now is how to move forward. It is with this sentiment that the film both begins and concludes. The curse of past, unchangeable error haunts the world, and all that remains are our fearful glances toward the future...

Author: By Jack G. Clayton, CONTRIBUTING WRITER | Title: District 9 | 9/4/2009 | See Source »

...much more compact film; “Deathly Hallows” is the first in the series to progress at an adequate pace rather than at the speed of a Golden Snitch. Although the Potter films continue to mature in both quality and subject matter, now catering more toward adult audiences, the saga will remain emblematic of an entire generation’s childhood. On July 15th, 2011—the release date of the eighth and final film, “Harry Potter and the Deathly Hallows”—these fans will greet the theaters with...

Author: By Andres A. Arguello, CRIMSON STAFF WRITER | Title: Harry Potter and the Half-Blood Prince | 9/4/2009 | See Source »

...second-order subversion; “Fat City,” even as it eschews its own genre conventions, declines shallow existential meditation in witness to the reality of the bare need to survive. Gardener’s narrative ambivalence resonates with Tully’s own casual progression toward a death that, though the reader never sees, was long-since dealt to him.The novel’s relative obscurity has several high-profile exceptions, including Walker Percy, Joan Didion and Denis Johnson. Johnson proclaims Gardener’s influence on his work in an article for Salon.com...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Frontiers of American Tragedy | 9/4/2009 | See Source »

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