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Blake, currently ranked No. 73 on the ATP tour, is moonlighting for the WTT’s Lobsters as he tries to return to form after suffering two injuries that took him off the court for a year dating back to last May. He did not live up to the “marquee” billing he shares with other WTT players including past greats Martina Navratilova and John McEnroe and current WTA No. 1 Lindsay Davenport, losing his men’s doubles match and winning his singles match in a tiebreak only after coming alive to overcome...
...force. The Coast Guard escorted Staten Island ferryboats. The chief of the New York City police department promised there would be an officer on every rush hour subway train "for the foreseeable future." In Washington, cops clutching MP5 submachine guns strode through subway cars, and Capitol police searched tour buses...
...known for her uncompromising sense of purpose, Thakur found her calling as a conservationist when she moved from Madras?"not a beautiful city"?to New Delhi in the 1970s to study architecture. Awed by the 2,000 Mughal, Hindu and British buildings in the capital, she considered becoming a tour guide until her professor persuaded her to write a thesis on Nizamuddin, the city's Muslim quarter. She soon realized she was the first to systematically chronicle the area and was effectively "rediscovering a city." After stumbling upon a whole palace complex in the Mehrauli district of South Delhi that...
...Amazingly, Thakur has retained this same sense of urgency and outrage even in the face of decades of disappointment. Taking her latest class of students on a tour of Mehrauli recently, she showed them the mosques, bath houses and orchards of the last Mughal Emperor and a tomb that British resident Sir Thomas Metcalf converted into a summer house and terraced garden. "Oh, God, oh, God," she repeats softly at the sight of one poorly executed renovation after another. "We've lost so much already," she laments. And yet, as always, Thakur determines to keep fighting. "It's a fantastic...
Madeleine Grynsztejn, the SFMOMA curator who organized the show, calls that tour "a victory lap," and she's right. Over the past decade, Tuttle has been increasingly recognized as a genuine, if highly idiosyncratic, American master. In the 1980s, when so much art was big and declamatory, it was always a relief to come across one of Tuttle's meticulous drawings or his gentle constructions, making their case that the smallest gesture could carry weight. When the noise of that decade died down, the low-intensity virtues of his work became more obvious, even to the market. Three years...