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...before he was Che. The film picks up Guevara’s life in 1951 as he embarks with his compatriot, Alberto Granado (Rodrigo de la Serna) on his travels—powered, initially, by the namesake motorcycle, of course—bound for the southern tip of South America. He is a far more accessible figure, and his journey radiates a certain lost-soul aura to which even a hardened capitalist could relate...

Author: NO WRITER ATTRIBUTED | Title: Headline | 11/12/2004 | See Source »

Martinez is another complex character. Although he has been one of the game's dominant pitchers, the Yankees seemed to have his number. After another loss to them in late September, he blurted out, "I just tip my hat and call the Yankees my daddy." Ever sensitive New York fans quickly added, "Who's your Dad-dy?" to the 1918 taunt. But by the thick of this year's playoffs, Pedro too had adapted the team's "Why not us?" attitude. He pitched a gem in the World Series...

Author: /time Magazine | Title: Holy Sox | 11/8/2004 | See Source »

...twenties, before he was Che. The film picks up Guevara’s life in 1951 as he embarks with his compatriot, Alberto Granado (Rodrigo de la Serna) on his travels—powered, initially, by the namesake motorcycle, of course—bound for the southern tip of South America. Here, Che is a far more accessible figure, and his journey radiates a certain lost-soul aura to which even a hardened capitalist could relate...

Author: NO WRITER ATTRIBUTED | Title: Happening | 11/5/2004 | See Source »

...three games, Jessiman, a first-round NHL pick, figured into only one scoring play—a tip-in on an early man advantage in November...

Author: By Alex Mcphillips, CRIMSON STAFF WRITER | Title: Lannon: The Quiet Man | 11/5/2004 | See Source »

...vocals. Ned can cover a vocal range without his more celebrated brother’s cracks, and for this type of song he’s more effective. Traditional, yes, innovative, no; nonetheless here the music is so relentlessly pleasant that even the most hardened hipster would have to tip his trucker hat. “After Than Before” has no words, but the guitar interplay strikes a conversation that’s consistently interesting, and the instrumental never gives in to any sort of conventional classic-rock structure. The banjos and harmonicas winding...

Author: NO WRITER ATTRIBUTED | Title: New Music | 11/5/2004 | See Source »

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