Word: throned
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...Johns are trusty-men. Miss Johns is a Captain and Danny Kaye is the Prince's nurse. The Prince, who is eight months old, has been brought to the forest after Roderick, the film's usurping tyrant, has massacred the rest of the royal family. The Prince deserves the throne because he, and not Roderick, has on his bottom the royal birthmark--the Purple Pimpernel. By a stroke of good luck the demure Miss Johns knocks out a passer-by named Giacomo the Jester, who is in reality a secret agent. Dressed up in Giacomo the Jester's outfit, Danny...
...Pritchett's expose of James Joyce [Feb. 13] has been long overdue. Joyce was an anti-intellectual. His crime was to unseat reason from its throne. The role of the intellect is to reduce the chaos of the subconscious, and of the stream of consciousness, to order. To surrender that function and retreat to chaos is treason against man himself and the God who endowed him with intellect and will...
...London, aging (64) Comedian Charlie Chaplin, now living in Swiss exile (where, he claims, U.S. persecution drove him because of his leftist beliefs), announced plans for a new movie, "the funniest ever.'' Title: The King in New York. Synopsis: A Ruritanian monarch (Chaplin), booted off his throne because he tried to divert his country's atomic research to purely peaceful ends, flees to New York, falls in love with a Madison Avenue huckstress, is persecuted as a Communist, returns to Europe and lives happily ever after...
...forever casting about for reasons for their own lack of reason . . . With the second group . . . I see something more: this has been, if not my personal tragedy, then my continuing folly." Did the duchess ever consider jilting Edward VIII, or was her eye always on Britain's throne until he left it? She tantalizes her readers: "With a great throne at stake, a vast empire seething . . . I was unprepared and unarmed . . . in the eye of the storm . . . Had I had my way, when eleventh-hour full understanding finally came to me, this story would have had a different ending...
There is a villain (Basil Rathbone), a palace witch (Mildred Natwick), a princess royal (Angela Lansbury) and a political poison plot. When the squirrely-burly's done, Jester Kaye has managed to get the false king on his knees, the true one on the throne, the heroine (Glynis Johns) in his arms, the villain on his point, and the audience happily lost in some muddle ages that no history book records...