Word: throne
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Pity the shy, retiring girl whose sibling marries above her station. Yesterday a judge in Toledo, Spain ruled that, like it or not, Telma Ortiz, sister to Princess Letizia - and hence sister-in-law to the heir to the Spanish throne - is a public figure. According to the court, she is not entitled, therefore, to keep the paparazzi away...
That's because it elbows the kid stars into the background to concentrate on the character who, if the movies follow the books, will dominate the next two films in the series. That's Caspian (Ben Barnes), the rightful heir to the throne of the Telmarines, who currently rule Narnia. He escapes the castle just before evil Lord Miraz (Sergio Castellitto) can kill him and is exiled among rancorous dwarfs, a talking badger, centaurs and minotaurs, the recently returned four Pevensie children and, after a high body count, Aslan (voiced by Liam Neeson...
...Ogyen Trinley Dorje, the 17th Karmapa, or head of the Kagyu sect of Tibetan Buddhism, sat at his ease in a throne-like overstuffed chair, rimless rectangular glasses perched on his pleasantly round, shaven head, a yellow shirt peeking out from underneath a dark red robe, feet in pebbled brown loafers. Reputedly stern, the Karmapa, who spent half an hour with TIME, was both remarkably well-tempered and focused for a man who had just come off a 14-hour flight - by far his longest since he arrived in India eight years ago as a teenager after a swashubuckling escape...
When Philip III ascended to the Spanish throne in 1598, he was 19 years old and uninterested in the responsibilities of a monarch. His friend the Duke of Lerma–the court’s preeminent tastemaker as well as the most important non-royal art collector in Europe–took over matters of state, while Philip squandered vast sums of money on lavish fiestas and foreign wars. The King and the Duke shared a mutual devotion to art that ushered in a dynamic period in Spanish painting, now featured in an outstanding new exhibit...
...most 17th-century fairies. Yet this change from the original version of the play effectively exposes the more ridiculous side of Prospero’s power. He relies on tricks and illusions to fool his enemies, while harboring for 12 years the bitterness toward those who stole his throne. Alvin Epstein’s resigned performance successfully furthers the image of the weary ruler approaching the end of his power. This portrayal of the character makes the play’s ending much more palatable than it can be in less experienced hands. Admirable attention to detail and mostly impressive...