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...thought that upper-class men do not have the advantage over lower-class men, in the assignment of rooms, which is rightly theirs. It would certainly seem no more than just that a Junior, for example, should, after occupying a room on the lower floor of Thayer for three years, have the privilege of at last securing a more desirable position in the college buildings. But under the present regulations he is excluded from any such privilege, and must take his chances in the general lottery. Even the plan adopted by a few last year of getting a Senior...
...addition to Professor Agassiz's course, two others are now being given, one by Mr. Samuel Eliot, on the History of the Nineteenth Century (continued), on Saturdays, at ten o'clock, in Boylston Hall; the other by Mr. C. C. Perkins, on the History of Art, on Fridays, at three o'clock, in Boylston Hall...
...Institute of Technology, made its first appearance just after our second number. It seems hardly strong enough to have a long life, but by careful nursing it may grow and flourish. It wisely ascribes its paternity, not to the whole Institute, but to the class of '75, thus relieving three classes of quite a burden. The best article in it is the editorial, short, well written, and so closely resembling in ideas and language the initiatory one in the Magenta, that we are forced to admire...
...there is something of the same tendency in ourselves? Of course I do not claim that it is developed in any of us to the same degree it was in that representative man, for the very good reason that few of us feel desirous or able to spend the three or four millions required annually to support the spread-eagle style on such a scale before a gaping world. Do not, however, set down the trait as a characteristic of him alone, or even, as you may quite willingly do, attribute it also to A, and admit that you have...
Among the first that will be issued are four engravings by Durer, two by Marc Antonio, and probably one by Mautegna. Three etchings will also be among the first: one portrait from Van Dyck's Iconographia, and two of Rembrandt's landscapes. These are selected with special reference to helping in art-study, by the Curator. An equal number, selected by the publisher, will be of this issue. They are mostly from Toschi's engravings after Correggio's frescos at Parma...