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...equally ambitious, far more controversial ballet with a supernatural theme was stirring up critics in Europe last week. The work: Dybbuk, by Choreographer Herbert Ross. Staged by Ballets of Two Worlds, the company recently formed by Ross and his wife, Ballerina Nora Kaye, Dybbuk proved to be a three-act excursion into cabalistic legend. Long intriguing to dramatists,* the Dybbuk legend in the Ross ballet version was set to a sparkling score by Vienna-born Composer Robert Starer. Ballerina Kaye was cast in the role of the heroine, Leah, whose body is possessed by a dybbuk, or demon...

Author: /time Magazine | Title: Music: Sea Sprites & Demons | 10/3/1960 | See Source »

Using one or three-act plays as a foundation, Aaron intends to discuss problems in preparation of scripts, casting, rehearsal techniques, and other problems in directing. He hopes to find five or six actors who will be "guinea pigs" for the prospective directors...

Author: NO WRITER ATTRIBUTED | Title: HDC, Aaron to Open Seminar in Directing | 10/26/1959 | See Source »

Wolfe later lengthened The Mountains into a three-act play. He revised by completely re-writing; in a letter to Baker he mentions that he wrote the three-act version of The Mountains without once looking at the original script...

Author: NO WRITER ATTRIBUTED | Title: Thomas Wolfe at Harvard: Damned Soul in Widener | 10/18/1958 | See Source »

...Quare Fellow, a Manhattan-bound three-act play that won critical applause in London last year, Irish Puppeteer Behan performs a farcical jig on the trap in the Hanging and Flogging wing of a prison remarkably like Dublin's Mountjoy Prison. His "Quare Fellow," who never appears in the play, is one of two men waiting for the public hangman to come from Britain to execute them for murder. One, whom the prisoners call "Silver-top," had beaten his wife to death with a walking stick. The Quare Fellow had killed his brother and, using his skill...

Author: /time Magazine | Title: Books: Jig on the Trap | 7/29/1957 | See Source »

...hear what Lucky Jim is really too gentle to tell, the reader must turn to an unlucky Jim-James Porter, irascible hero of John Osborne's play, Look Back in Anger (TIME, April 22). Look Back is a high-decibel three-act diatribe, mainly on mom, wife, God and country. Hero Jimmy has just written a poem called "The Cess Pool." His wife hovers over an ironing board-one of the endemic props of this school of social realism, together with dirty dishes and wet "nappies"' (diapers). At the slightest provocation Jimmy turns into a verbal epileptic, particularly...

Author: /time Magazine | Title: Books: Lucky Jim & His Pals | 5/27/1957 | See Source »

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