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...structure. Wright successfully moves to and captures the complicated concept of one person's relation to a crowd of strangers. Other prose poems similarly sneak as if unintentionally from the simple to the complex. Free of the poetic structure that would hold the ideas and images to a central thread. Wright can hop from one to the next on the strength of association...

Author: By Naomi L. Pierce, | Title: Savoring the Sunset | 4/20/1982 | See Source »

...vaguer evocation of nature--not nature in any specific relation to the characters in the purple scene, but as an overwhelming, quietly underlying force. Because the images are packed close, the connections between the remain deliciously tenuous, tracing, the poet's frame of mind rather than a logical, prosaic thread...

Author: By Naomi L. Pierce, | Title: Savoring the Sunset | 4/20/1982 | See Source »

...valid experiments displaying the voices of people Harris has heard, people who don't speak the way she would write. In these poems the language rings somewhat flat because Harris is uneasy using certain alien voices. At her best, Harris ties together the different voices with a strong, frank thread...

Author: By Naomi L. Pierce, | Title: Urban Imprisonment | 4/7/1982 | See Source »

...Harris tends to adopt interesting word combinations and compound words: "broomhandle-killing/that squirrel, carstunned and lost" she writes in "Manhattan As A Second Language." Asides in poetry are always dangerous, but when Harris writes in the first person she deals successfully with complex, convoluted images without losing the thread of her poetry. In "The Coddling Moth," she successfully creates a complicated, sensual comparison between a man and a moth, follows the moth into an apple grove, and leaps to agricultural science, throwing in the sarcastic lines "Polson pussy/synthesized and bottled." Then she returns to the man the poem describes...

Author: By Naomi L. Pierce, | Title: Urban Imprisonment | 4/7/1982 | See Source »

Ariane (the French name for the Cretan princess of Greek mythology whose thread helped Theseus escape from the Labyrinth) took nearly a decade to develop. It is not only a triumph of European technology, but a stellar example of something much more rare: real international cooperation. The big rocket's first and third stages were built in France, the second in West Germany. Britain developed much of the computer software. Contributions came from Belgium, Spain, The Netherlands and, in fact, all of the founding partners in this billion-dollar collaboration. Ariane's first commercial flight is scheduled...

Author: /time Magazine | Title: Space: Here Come the Europeans | 2/8/1982 | See Source »

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