Word: though
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Dates: during 1990-1999
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...Though the century has witnessed impressive gains in workers' rights, it now seems the 1900s will end on a sour labor note. Last week five former employees filed a $1.5 million suit against SYLVESTER STALLONE and his wife JENNIFER FLAVIN, saying working for the couple was a "nightmare." The five claim that during their brief employ in the actor's mansion in 1995, they were required to follow a list of rules (dubbed "the Emperor's 10 Commandments"), including instructions to refrain from looking Stallone in the eye, to vanish immediately when he entered a room and never to speak...
...streets to defend their right to a cheap sweater. Or suppose the U.S. slaps a tariff on foreign sweaters and the foreign country retaliates by raising a tariff on something we're selling them--the people who would lose their jobs aren't even identifiable for sure, though for sure they exist. Likewise the people who lose jobs because shoppers who have to pay more for sweaters have less money to spend on other things...
Part of the explanation is the special nature of our current prosperity, which is widening the income gap rather than narrowing it, as in the past. Part is the growth of global economic forces that are actually impinging on national sovereignty, even though it's the paranoid hysterics who say so. But the WTO isn't responsible for either of these trends, both of which are probably inevitable and neither of which undermines the basic case for free trade or for an organization empowered to promote trade through binding arbitration of trade disputes...
...Coward year was last week's sold-out gala at Carnegie Hall. Too many celebrators retailed the clever mots that have diminished Coward's reputation to something like that of, say, Fran Lebowitz's, instead of revealing him as the theatrical and musical prodigy he was. Happily, though, the evening was primarily an opportunity for the aristocracy of the cabaret world--led by Michael Feinstein, Barbara Cook and Andrea Marcovicci--to sing the luminous songs on which Coward's legacy should most comfortably settle...
...Though Coward, who died in 1973, is intensely beloved by a devoted coterie, the wider audience knows him mostly for his brittle, epigrammatic plays--particularly Private Lives and Blithe Spirit--or for that foolproof cinematic stirrer of the female breast, Brief Encounter. But where his plays and films bear the whiff of a long-gone age, Coward's songs retain their vitality: the frisky list songs that display his wit (Mad Dogs and Englishmen; Don't Put Your Daughter on the Stage, Mrs. Worthington) and the achingly tender ballads that reveal his unmatched capacity for genuine sentiment (If Love Were...