Word: thick
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Kelly Shannon drifts along in happy anonymity in Congress, spending his weekends playing rough games with his large, noisy, competitive family, until Papa becomes obsessed with this dream of putting him in the White House. Enough money lavished in the right places brings Kelly a thick folder containing evidence of corruption in high places. Soon he is a fixture on TV, the most talked-about young politician in the country. In fact, the path to the White House seems clear until Kelly runs headlong into his own conscience...
...passenger, tri-jet transport designed by Aeronautical Engineer Sergei Yakovlev, 27, son of famed Soviet Aircraft Designer Alexsandr Sergeevich Yakovlev, for whom earlier YAK planes were named. What he had in mind, said Yakovlev, was a replacement for the famous old DC-3. Yakovlev's workhorse jet has thick, high-lift wings, big flaps, a relatively slow cruising speed of 450 m.p.h. and fat, soft tires-enabling it to land on small unimproved dirt fields that cannot be used by other jets. At cruising altitude, one of the three jet engines can be throttled back to idling position...
Caine and Jane Fonda give the best performances, and it is the Caine character on which the movie's best scenes rest. Preminger has wisely avoided strong accents, with the result that an actor who has previously played thick-tongued Cockneys is nonetheless thoroughly convincing as a Southerner. Caine's line-readings are consistently fine: he even manages to bring over such dialogue as 'Honey, I love you, I need you, I can't live without...
...Children with seared eyes grope for help, fires rage incessantly, food riots begin. The police execute looters-and then turn on the hopelessly ill, shooting them down like horses as they writhe outside the hospital that can no longer help them. At last, apathy envelops the populace like a thick London fog. Asked what they want to be when they grow up, little boys listlessly reply, "I don't want to be nothin...
Musically, this lugubrious narrative is etched in a jaggedly dissonant score that takes Composer Ginastera even farther out than the twelve-tone serialism of his 1964 opera Don Rodrigo. Ginastera stacks up thick instrumental clusters, punctuates them with short, stabbing chords, sometimes uses what he calls "clouds," in which orchestra and singers improvise rhythmically suspended, ever-shifting textures. At various points in the piece, the string players clatter their bows on their instruments, the brassmen blow air tonelessly through their mouthpieces, the woodwinds bend notes into piercing quartertones. A 24-voice chorus in the pit sometimes comments on the action...