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“A big part of it is teaching [the artists] how to market themselves and their work,” Schapiro adds. “It helps artists understand that they can pursue a career in the visual arts, and gives them the tools to do that effectively...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Harvard Student Art Show | 4/27/2010 | See Source »

Zellmann-Rohrer has become an integral part of Harvard theater during the last four years. “Everyone in the theater here knows Michael,” Griggs says. “He can be kind of shy, but somehow he appears here and there around campus and shows...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Michael Zellmann-Rohrer ’10 | 4/27/2010 | See Source »

Zellmann-Rohrer, a Classics concentrator in Mather House, says he plans to pursue a PhD in Classics after graduation and does not foresee a future in lighting design. “I don’t think I’m committed to do it professionally,” he...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Michael Zellmann-Rohrer ’10 | 4/27/2010 | See Source »

What’s strange is that although the images are so surreal, they seem familiar, as though Vu has found a way to tap into the primordial subconscious of a fairytale. There is something sublime about the pain on the canvas, and the exquisite care with which each detail...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Vi Vu '10 | 4/27/2010 | See Source »

In no poem is the evolution of self-doubt more apparent than in “I,” in which Williams directly addresses the idea of lyric subjectivity. After referring to Goethe as “One of those ‘I’s who aren?...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Pulitzer-Winning Poet Williams Channels Voices from the Canon | 4/27/2010 | See Source »

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