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Word: text (lookup in dictionary) (lookup stats)
Dates: during 1990-1990
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Usage:

...squares opposed pink triangles. Are we now going to be besieged by posters of soft pornography right before parent's weekend, I wondered? How exciting! But, to my intense disappointment, this was not going to be. "Imagine what else I could have learned!" No, we were instead deluged by text from a group with the most annoying acronym in modern history...

Author: NO WRITER ATTRIBUTED | Title: On Symbols, ENOUGH Is Enough | 11/17/1990 | See Source »

...Tempest involves a savage storm, visiting goddesses, star-crossed lovers and supernatural powers and begins. But Bishop's production, rather than bewitching the audience, only leaves those unfamiliar with the text confused, and those acquainted, sorely disappointed...

Author: By Carey Monserrate, | Title: At the Loeb, An Ill Wind Blows No Good | 11/16/1990 | See Source »

Prospero's opening lines in the second scene of Act I, so crucial to the audience's understanding of the plot after the omission of the first scene, are delivered at a manic pace. Those unfamiliar with the text are left bewildered by the rest of the play's development. Bishop pathetically compensates for the plot's mangled exposition by having a spirit hold up a chart listing the "Good Guys" and "Bad Guys" of the play for our convenience...

Author: By Carey Monserrate, | Title: At the Loeb, An Ill Wind Blows No Good | 11/16/1990 | See Source »

...treatment of Shakespeare's text is here and elsewhere is ill- counseled: a spoof of Hamlet pointlessly substitutes for the masque of the goddesses in Act IV. Gravity characterizes moments that should be light (Prospero's epilogue); hesitation destroys the repartee (Ariel and Prospero's dialogues). The actors' delivered often indicate that they don't understand the meaning of their lines any more than...

Author: By Carey Monserrate, | Title: At the Loeb, An Ill Wind Blows No Good | 11/16/1990 | See Source »

...Woody Hill's interpretation of Prospero, for the example, is indifferent to the proscriptions of the text. Prospero is a man seeking justice through magic. But Hill's rendition of the Epilogue depicts Prospero as a childish and vengeful sorcerer unwilling to yield his powers...

Author: By Carey Monserrate, | Title: At the Loeb, An Ill Wind Blows No Good | 11/16/1990 | See Source »

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