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...lyrics like," I would love him even if he abused me ..." are unnecessary, given the artistic license that the director has. Even the innovations and nuances that the original writers presented in the adaptation of the biblical text fail to surface in the portrayal of the characters...

Author: By Aparajita Ramakrishnan, | Title: Direction Gives Spark, Sensuality To an Unimpressive Apple Tree: | 4/23/1992 | See Source »

...reorganizing the magazine, we have made aesthetic changes as well. We believe you will find the new design of the pages cleaner and more direct, making it easier for you to find what most interests you. We have replaced Times Roman, the body typeface since the 1940s, with Time Text, drawn for us by Boston type designer David Berlow. The type is based on sturdy, clear styles like Century and Madison, which became popular in American newspapers at the last turn of the century. While you may notice that some pictures are bigger, the overall balance between photos and text...

Author: /time Magazine | Title: From The Managing Editor: Apr. 20, 1992 | 4/20/1992 | See Source »

...Welles made a wonderful movie -- an eccentric adaptation that is in spirit as true to Shakespeare's text as, say, Verdi's Otello. The director's brilliant conceit was to film this tale of the ebony Moor and his blond bride in images of stark chiaroscuro, the blackest black and the whitest white. No moral or visual gray tones here. Dark cloaked figures rush toward the Grand Canal, and pigeons scatter up into an angry sky. The spider-webbery of shadows casts doom across an innocent face. It is a canvas, of baroque silhouettes and diagonals rampant, that marries text...

Author: /time Magazine | Title: Superbly In Synch with Shakespeare | 4/20/1992 | See Source »

...Camper's 1985 and 1986 releases, Telephone Free Landslide Victory and Two and Three. The lyrics show Lowery's genuine songwriting talent. He uses extremely down-to-earth images in rambling narrative form. The images are almost too esoteric; but the in-jokes point to something beyond the text: "I was having a good sleep in my car/ in the parking lot of the showboat Casino Hotel/ I say, I remember you, you drive like a PTA mother/ you brought me draft beer in a plastic cup/I'm feeling thankful for the small things today...

Author: By Dan Sharfstein, | Title: A Listener's Perspective: Cracker | 4/16/1992 | See Source »

...younger British novelists -- Martin Amis, Julian Barnes and Ian McEwan -- matched with a sense of inquiry and of mystery that is not so common. Waterland was a novel electric with ideas. Yet in his intricate narrative of generations and degenerations, Swift achieved something remarkable: a dense, literary text that raced ahead with the compulsive fury of a page turner...

Author: /time Magazine | Title: Brain Surgery | 4/13/1992 | See Source »

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