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...book cover (crafted from more than 1,000 pieces of leather) of Celia Thaxter’s An Island Garden. In addition, the Phillips Brooks Memorial Window, an enormous stained glass work honoring the Phillips Brooks House Association namesake, blocks part of the exit to this room. The introductory text panels at the beginning of the exhibit offers a brief explanation of the disparate items in this room, but fails to establish a sense of continuity and thematic coherance within the exhibit as a whole...
...large emphasis is placed on the differences among the artists’ media and the varied works of these women. With so much emphasis on these differences, more should have been done to continually remind the viewers of the similarities of these works. While the text panels accompanying and introducing the exhibition explain that “[a]dditional biographical information about each artist can be found in the catalogue, located in the gallery’s reading area [located near the exit of the gallery],” increasing and interspersing the biographical information within the galleries would have...
...about? The problem was I didn’t really want the answers to these questions.” There is promise in her recollections, but they seem to stop there. Gornick never provides any quotes or passages from her book, and without a grounding in the text, her descriptions sound too theoretical and abstract. Gornick later describes a more successful attempt at personal narration—a memoir about herself as a child, her mother and a woman who lived next door to them. This attempt was more successful because she had begun to realize the importance of understanding...
...there is a main element to the plot, it is that Aunt Julia is nearing death. The skillful adaptation of Joyce’s text by writer-director Richard Nelson indicates that reality, but does not go for mere empathy, instead communicating a hope that transcends death. At the same time that Julia’s health is failing, Gabriel is doubting the love borne for him by his wife, played by a lovely but somewhat grating Kate Kearney-Patch, who possesses a radiant voice but whose speaking voice requires more reining-in than was given by the director...
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