Word: text
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Dates: during 1960-1969
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...widow, was given photographic copies of all the documents by the library, and she gave Yale Scholar Donald Gallup exclusive access to them. In the 20 hours available to him, Gallup produced several pages of detailed notes for the Times Literary Supplement, plus four illustrations photographed from the text. Of 57 sheets in the original Waste Land, 42 were unused; it is impossible at this stage to assess how much Ole Ez (as Pound liked to sign himself to friends) cut out, and to what extent Eliot was his own critic. But it is clear that a unique collaboration...
...state that snake handling [Nov. 1] is based on Jesus' words in Mark: 16. Modern versions of the Bible do not include these words in the text. The oldest Greek manuscripts do not include "snake power." Modern scholars generally agree with James L. Price of Duke University that "vocabulary, style, content and manuscript evidence support the conclusion that this ending is no part of the Second Gospel. Later scribes supplied it." The King James translators did not have access to these early manuscripts, so the words do occur in their version...
...exceptionally tasteful and engaging. And this was not so much the result of doggedly exhuming every ornament as of pentrating to the irreducible dramatic intention of each composition. The performers were most successful in the movingSong of Simeon, in which a baroque solo choir in the balcony sings a text different from that of the main choir, symbolizing in Schutz's words "the joy of the blessed souls in heaven." TheGloria, a quodlibet of Lutheran chorale melodies was precisely thought out and excellently proportioned among the voices. As for the seven soloists, the men were more distinguished than the women...
...about a holy theater comes from the French actor and critic Antonin Artaud, who conceived of the theater of cruelty as searingly holy, "working like the plague, by intoxication, by infection, by analogy, by magic; a theater in which the play, the event itself, stands in place of a text...
...territory and the route are the play, they are not always dark and unknown. A great play is flooded by its author with inner light, and it is usually some jaded director who drags the drama off on some footless side path and leaves it mired and mangled. The text is not sacred Mosaic law, but it is more than a pretext for whimsical directorial pranks. Peter Brook is not that kind of man. He looks before he makes his exciting leaps. He wants a theater of passion and directs his plays to that end. At his best...