Word: terrorisms
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Black was the Chicago reputation of Willie Doody. Police, searching for him for six months, called him a "two-gun terror," the "babyface killer." On handbills he was listed as "very dangerous." On his head, dead or alive, was a $2,000 reward. He was responsible, said Chicago police, for the hold-up of an Illinois Central train and the murder of a guard; tor the robbery of a Cicero, Ill. post office ot $18,000 and the wounding of a U. S. postal inspector; for the killing of the Chief ot Police of Berwyn...
...manslaughter, then with murder. Safe there, he made no great effort to raise his $5,000 bail. The little town's citizenry seethed with indignation against White and "the system" he represented. Banding together they wrote a public protest to President Hoover which concluded: "In our utter helplessness, terror and distraction, we are at last resorting to you. . . . For God's sake, help...
...upon the Federal Reserve Board the responsibility for the low bond market and the high money rates which usually have been blamed upon the Stock Market. For, said he, the Reserve Board, through its "fear propaganda, warnings, and vague threats," has so filled the capitalists with anxiety, with terror, concerning investments in either stocks or bonds, that this capitalist has put his money not into stocks, not into bonds, but into the call money market- "the safest form of investment known in this country." Furthermore, the more the Reserve Board scolds and harries the Stock Market, the higher the interest...
...seem dry; thin lines mark her forehead, her rough hair, cut short, fits her head like a wooden cap. She is ugly, but her eyes are beautiful, and as her thought makes changes in her face she too becomes beautiful. At first, she seems paralyzed with amazement and terror; later, from some unexplained emotion, she weeps", and through the trial big tears run down her tanned face. Her answers in the subtitles are the same that were given by the real Joan according to the record of the ecclesiastical trial at Rouen preserved in the Library of the Chamber...
...sense of the unseen enemy pushing back the actual army, now dead, of which these actors are the equivalents. As it is, the soldiers remain stage soldiers, and while the incidents involving them are undoubtedly taken from history, they are not generalized enough to suggest the sound and terror of that retreat or to make war as real as Hollywood directors often made it when military pictures were the commercial vogue. Best shot: an officer waking up his tired company with a drum he has taken from the window of a deserted toy-store...