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Word: tenorizing (lookup in dictionary) (lookup stats)
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...Lombardi, Qualvolutta trascorrere and Attila, Te sol quest anima by Soprano Elisabeth Rethberg, Tenor Beniamino Gigli, Basso Ezio Pinza (Victor, $2.50)- A famed Metropolitan line-up sings early, rarely-heard Verdi...

Author: /time Magazine | Title: Music: March Records | 3/9/1931 | See Source »

Throughout, Soprano Lucrezia Bori (the Duchess of Towers) acted with perfect grace, sang her English with very little accent. Hardworking, 56-year-old Tenor Edward Johnson was a sensitive, groping Peter, believably youthful. Baritone Lawrence Tibbett (Colonel Ibbetson) did a thrilling death. Joseph Urban's dream sets gave a happy, springtime effect...

Author: /time Magazine | Title: Music: Prodigious Cleveland | 2/16/1931 | See Source »

...Angeles Enrico Caruso Jr., 26, loud, barrel-chested son of the late great tenor, is taking singing lessons. His instructor: Adolfo de la Huerta, onetime Provisional President of Mexico. Said Junior Caruso: "I never believed I could reflect credit on [my father's] memory. But I feel now that I can. . . . Dad told me: 'The cemeteries are full of tenors who tried to sing Othello.' I want to sing that one best of all. . . . That would make Dad proud...

Author: /time Magazine | Title: People, Feb. 16, 1931 | 2/16/1931 | See Source »

...tterdämmerung is Grane, the horse which Brünhilde gives to Siegfried as testimony of her love, to which she must sing her final immolation music and then ride bravely into the flaming pyre. A good Grane is as hard to find as a good German tenor. He must look spirited yet be willing to stand quietly while singers sing loudly and at close range, strings whir, brasses blare, drums pound and steam hisses up through the stage traps. In St. Paul, when the German Grand Opera visited there last year, the Grane was Daisy, a local...

Author: /time Magazine | Title: Animals: Grumpy Grane | 2/9/1931 | See Source »

...Chaplin is the last of the old guard to rely on native dramatic ability to gain his effects. Acting, is his art, the art of pantomime, and he does not want applause that is bought by gazing at a cardboard balcony and exercising a wheezy tenor, or archly boop-boop-a-doopering. The master comedian is clearly of the opinion that motion pictures, like peacocks, are fine when they silently unfold their tails, but when they attempt to speak it's a very different matter...

Author: NO WRITER ATTRIBUTED | Title: CLEVER MUTE | 2/6/1931 | See Source »

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