Word: tenorizing
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...While Tenor Ivan Kozlovsky and Basso V. Y. Droviannikov sang their lines in Rigoletto at Moscow's famed Bolshoi Theatre, Tenor Kozlovsky, noted for his freakishly large range, suddenly began to sing bass. Surprised, annoyed, but not to be outdone, Droviannikov lifted himself into a strangled tenor. Backstage, later, the two singers had to be separated by stagehands. The Soviet All-Union Committee on Art branded the ruckus as inexcusable "naughtiness," warned all singers to stay in their own range...
Seven years ago, Beniamino Gigli, the tops in Italian tenors, left Manhattan's Metropolitan Opera House in a huff over a salary cut. Deploring his attitude (his pay was rumored to be almost $3,000 a performance), the Met's managers tried many substitutes but found nobody who could fill the bill. Last week Tenor Gigli was welcomed back to the Met by a shouting throng. Critics still deplored his garlicky mannerisms and found the part of Radames in Aida unsuited to him, but had to admit that Tenor Gigli's singing was the finest Italian tenoring...
Actor Abdul-Wahab's trilly tenor voice has long been heard on Italian Arabic propaganda broadcasts. The programs were recorded. But so popular was Abdul-Wahab's crooning even in that form that Arabs were more than willing to listen to a few words of anti-British oratory while waiting for the next torch song-often fairly anatomical...
...quartet's diminutive first tenor, Brown, has quiet tastes, plays a little cooncan and setback, mostly just "cheers himself with his family." But stocky Bass Bryant, Second Tenor Davis and Baritone David secretly cherish ambitions to be movie stars. All used to be farmers. Last month Tenor Brown saw his first football game. Uncertain how to behave, he noticed that the other spectators all held their mouths open. So he opened his. Accidentally getting too close to a goal post, he got severely bumped, still carries a bruise or two. Says Tenor Brown: "God help a football game...
...last year's opera season in Chicago was a stocky Livornese tenor named Galliano Masini. When he raised the roof in Tosca and La Gioconda (TIME, Dec. 20, 1937). General Manager Edward Johnson of the Metropolitan Opera House heard about it, signed him up. Last week Tenor Masini's Manhattan debut packed the Metropolitan with an expectant throng. Singing his favorite part, Edgardo in Lucia, Masini failed to make quite as high a mark as he had in Chicago. Critics found him no Caruso but a younger, fresher, less-seasoned Giovanni Martinelli...