Word: tenoritis
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Dates: during 1950-1950
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Gladys Swarthout's fiery Carmen was played without the exaggerated gestures common to the Met's gigantic stage; Tenor Robert Rounseville brought a matinée idol's profile to Don José, but obviously had to work hard to restrain the grimaces that ordinarily go with a big voice. Like all the others, Baritone Robert Merrill as Escamillo had to unlearn one of the cardinal rules of opera-taking musical cues from the orchestra leader. The singers set the musical pace of the show because, roaming their nine sets, they were sometimes 200 feet from...
Almost as big a surprise was 27-year-old Bronx-born opera-saver Regina Resnik (TIME, Aug. 25, 1947), whose dramatically convincing and vocally sumptuous Sieglinde was more than a match for 59-year-old veteran Tenor Lauritz Melchior's Siegmund...