Word: tenoritis
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Dates: during 1950-1959
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...Burly Tenor Ramon (Otello) Vinay was in a sweat. A Chilean trained for Italian and French opera, he had worked hard for over a year to huff himself into a German-style Heldentenor, and he was all set to sing his first Tristan, with Kirsten Flagstad as Isolde. San Franciscans (and Metropolitan Opera General Manager Rudolf Bing, who sorely needs a successor to Lauritz Melchior) were all set to hear him. But a fortnight ago, with debut day almost at hand, Tenor Vinay was bogged down in Chile. A stubborn Santiago impresario refused to let him leave the country until...
...night, the audience in San Francisco's opera house found huge (6 ft. 2 in., 220 Ibs.) and handsome Tenor Vinay visually, if not vocally, a heroic match for Soprano Kirsten Flagstad. Wrote San Francisco Chronicle Critic Alfred Frankenstein: "To be sure, [Vinay] did not bring the music all the suppleness and vocal ease one hoped for, but he brought it something else that was almost equally important-a tenderness, lyricism and fragility of expression that were altogether unprecedented. For once, Tristan's ravings in the third act seemed only five times too long instead...
...long skirts." She had a voice to match her acting: she could, and did, sing coloratura, lyric and dramatic soprano parts with equal ease. In Buenos Aires one time, when Giovanni Martinelli momentarily lost his voice in the third act of Catalani's Loreley,* she carried off his tenor part as well...
...King's speech opening Parliament, reflecting the tenor of the government's plans...
Wagner: The Flying Dutchman (Hans Hotter, baritone; Viorica Ursuleac, soprano; George Hann, bass; Karl Ostertag, tenor; Franz Klarwein, tenor; Luise Wilier, contralto; Chorus and Orchestra of the Bavarian State Opera, Clemens Krauss conducting; Mercury, 8 sides LP). First complete recording of Wagner's early opera. Performance and recording: good...