Search Details

Word: tenoritis (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...anyway. Delighted to have Maria under its wing, the imaginative American Opera Society, which specializes in concert versions of rare items, agreed to bring forth at Carnegie Hall a fine old showcase for her fiery talents (Bellini's Il Pirata), allowed Maria to bring along her own conductor, tenor, baritone. Success was assured. The stiff prices ($33 top) fazed few of her fans, who applauded the Callasthenics lustily, ahed her mad scene, stopped cheering only when a stagehand doused the lights...

Author: /time Magazine | Title: People, Feb. 9, 1959 | 2/9/1959 | See Source »

...next 2½ hours the President made more changes, deletions, marginal notes, here and there ordered re-emphasis. The tenor of the message: hold-the-line fiscal management. On defense, the President wanted to stress the need to cut down on costly weapons duplication. On agriculture, the President hoped and expected that Congress would reduce the drain of crop-support programs. On foreign aid, the President wanted an increase in funds that was modest in terms of the need, e.g., a jump from $400 million to $700 million for the Development Loan Fund. Already the President had ordered a whole...

Author: /time Magazine | Title: National Affairs: Eve of the Message | 1/12/1959 | See Source »

...Horse's Mouth. Joyce Cary's hymn to hobohemia, as Alec Guinness bellows it forth in his best whisky tenor, makes the year's best British comedy (TIME...

Author: /time Magazine | Title: Cinema: Foreign | 12/29/1958 | See Source »

David Stone as Wilfred Shadbolt the jailer makes a splendid clod, and John Scullin (a good-sing-no-act tenor), Alison Keith, Judith Spritzer, and the rest rally round successfully in other capacities...

Author: By Julius Novick, | Title: Yeomen of the Guard | 12/11/1958 | See Source »

...performance, was disturbingly uneven. Soprano Rysanek's warm, lambent voice was as beautiful as ever, but she displayed an alarming tendency to soar to high notes and then to wander around dazedly for several bars while she tried to come down again. Bjoerling's lyric tenor lacked the heroic style that the role of Radames demands, and Gobbi was far from his compelling best. Only Mezzo Simionato sang with the range, color and fire that her fans have come to expect of her. The voices of the supporting singers were lost in the huge house. "No wonder...

Author: /time Magazine | Title: Music: Raggedy Ann in Aïda | 12/8/1958 | See Source »

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