Word: tenoritis
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...pitcher), and the pollster's boy, George H. Gallup Jr., 21 (catcher). In Manhattan, James W. Symington, 24, son of the retired RFC head and a law student at Columbia University, picked up a contract to sing in the Carnaval Room of the Sherry-Netherland Hotel. Said Tenor Symington: "I'm paying my spring tuition with what I get here." Nicholas Eden, 20, son of Britain's Foreign Secretary, left Oxford and arrived in Ottawa to begin his new job as aide to Governor General Vincent Massey. He was, he said, "a summer sports...
...versatile Mr. Chabay returned to sing Bartok arrangements of five Hungarian folk songs. These range from the pathetic irony of In Jail to the half-cheerfulness of Dance Song, and the tenor sung them all with such finesse and sympathy that he was called back for an encore...
...Martinelli took pleasure in setting him straight. "I can sing as well as I ever could," he insists-although "I would not say I could get through Otello or Aïda now." Those who heard him sing Ideale were surprised at the ease and quality of the old tenor robusto's voice. The catch, and the reason for his retirement from the Met in 1945: "It is the heart . . . When one is older, the heart cannot bear the strain and worry and excitement [of the opera stage]. It tells on the voice." However, he finds TV more pleasure...
Flagstad was statuesque in the white robes of the Grecian queen, yet touchingly human at the same time. As always, her voice filled the cavernous Met with its thrilling power. But it was also rich with an expressiveness that seems to grow more poignant with the years. Tenor Brian Sullivan sang his role of Admetus powerfully, if not always as cleanly as the classical style demands. The staging was a trifle fussy, and the corps de ballet postured like so many figures on a Grecian urn. But alongside the triumphs of the performance, the defects were minor. Top honors: Kirsten...
Also notable is Cetra-Soria's Aïda (6 sides LP). An Italian cast, including Tenor Mario Filippeschi, Soprano Caterina Mancini, Mezzo Giulietta Simionato and Baritone Rolando Panerai, gives a fine performance, as does the Orchestra and Chorus of Radio Italiana under Vittorio Gui. The recording is excellent. Less successful: Remington's Rigoletto (6 sides LP), performed by undistinguished soloists and a lackluster orchestra and chorus of Florence's Maggio Musicale. The recording is fair...