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...second trailer hyping its release. But is this really surprising coming from Kanye “I Should Be in the Bible” West?The video itself is another “cinematic” music video, which, either despite or because of all their pretensions, tend to feel like the products of film school grads not quite good enough for Hollywood but not quite honest enough to admit it. This video could have been perfectly enjoyable, if only someone involved had exercised a bit of modesty and just tried to make a music video, not a feature film.Taking...
...first big win for Canada came Saturday evening, when 5-ft. 3-in. Jennifer Heil of Spruce Grove, Alta., won the women's freestyle moguls competition, thereby refuting, for the moment anyway, Rudge's remark that Canadians tend to gag "on the big day." Under bright lights accented by the moonlit sky at Sauze d'Oulx, top-ranked Heil performed a 360 off the first jump and her trademark backflip with iron cross (skis crossed, tips down) off the second. "I've been feeling the pressure pretty much the last eight months," said Heil, 22. "The most important thing...
YOUR SON IS A FRESHMAN AT STANFORD. DOES HE WANT TO STUDY ABROAD? I strongly urged him to consider studying overseas for at least a semester, preferably a year. But you never know. Sometimes when their moms suggest things, [kids] tend not to do them...
...principle, their method is straightforward: to find a disease-related gene, find someone with the disease, then see how his or her DNA differs from the DNA of healthy people. In practice, however, individual genes rarely cause illness on their own; instead, they tend to make people more susceptible. And in places with genetically mixed populations, the complex interaction among genes makes it hard to find the risky ones. But in Iceland, with its uniform population and genealogies that show how everyone is related, risky genes tend to stand out. The country's meticulous medical records provide even more data...
...Generally, big opera houses and festivals tend to sterilize this opera, focusing on the jagged modernity of the score and the formality and inevitability of death in the libretto, while ignoring the tremendously subtle emotions that can be powerful, sad and even funny. Thankfully, DHO treats the audience to as much passion and humanity as Poulenc certainly intended...