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Word: tempos (lookup in dictionary) (lookup stats)
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...fact, is practically an anthology in action of his knowledge of dance. Male Lead Jacques D'Amboise has separate pas de deux with three different ballerinas (Marnee Morris, Patricia McBride, Karin von Aroldingen). The mood of each dance is bittersweet romantic; yet they are wholly different in shape, tempo and feeling. And Balanchine's leaping, exactingly athletic solo for D'Amboise, in Liza, should forever dispel the snide rumor that he does not choreograph well for male dancers...

Author: /time Magazine | Title: Dance: Manhattan, Wry and Sweet | 2/16/1970 | See Source »

...page 23), P. G. Woodhouse (page 472), Charles Evens Hughes (page 503). The only-yesterday's narrator is a White Rabbit. Always he must hurry on. With more than 850 photographs and drawings, Phillips' documentary spews images at double-quick newsreel speed while spieling commentary at the tempo of a tobacco auctioneer...

Author: /time Magazine | Title: Books: Nostalgic Scramble | 1/12/1970 | See Source »

...moved to write the Ballad of Spiro Agnew.* The song is scheduled to be recorded on the Impudent Parasite label by Morris, who will be accompanied by a group called the Effete Snobs. A sample of the lyrics, to be sung to what the songwriter calls a "march rock" tempo...

Author: /time Magazine | Title: Nation: The Spiro Rock | 12/19/1969 | See Source »

...musicologist who now writes reviews for the Boston Globe. Like Steinberg, Critic Gelles insists upon high musical standards. Four weeks ago in the Globe, Steinberg chided Carlo Maria Giulini, guest conductor of the Boston Symphony Orchestra. If Danny Kaye or Victor Borge had conducted "with such crazed dislocation of tempo and with such prodigality in expression of tragic suffering and deep knee-bends," wrote Steinberg, "the audience would have been in stitches." Two weeks ago in the Herald Traveler, Gelles remarked that Guest Conductor Seiji Ozawa "has shrunk from a lightweight with charm and real elegance to a conductor whose...

Author: /time Magazine | Title: The Press: Critic at Large | 12/12/1969 | See Source »

...Stones today, the sole vehicle for their celebration, so the burden of arousing the crowd, of embracing and proving all our dreams of the Stones-violent, sensual, perverse, etc.-rests on him: we must remake the concert with his image. And it's hard to maintain the tempo of abuse that we demand of him, even with all our fantasies riding on his every move. After all, someone in the MC5 took a shit on stage in Seattle; Morrison whipped his cock out in Florida. What else can a poor boy do? At the Boston concert the Stones' MC invited...

Author: By Joel Haycock, | Title: The flea-bit painted monkey Got Live If You Want It | 12/9/1969 | See Source »

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