Word: tegan
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...Tegan Shohet '01 has the curious role of Mrs. Walker, a wise and vaguely omniscient old woman who Gary visits nightly. Although her character is not bound to the plot with hoops of steel, she gets to play the always-welcome role of explainer, which she does with maturity and a small dose of convincing senility. Theodora Konetsovska, a visiting student from Williams, plays the ghost of Gary's dead sister, Sarah. The script calls for too many appearances of Sarah's ghost for her role to be as poignant as it could, but Konetsovska deals with her ubiquity...
...other hand, the fact is that Portia is worth it. Tegan Shohet '01 seems to take a new delight in every scene she is in, navigating Shakespeare's pentameter flawlessly and bringing out its comedy. Her tireless work in this production helps it steer clear of unnecessary angst or belligerent darkness...
Leading actress Tegan Shohet '01 artfully portrays Celimene, who deftly manipulates her suitors and rivals with seductive charm. Shohet is probably the least exaggerated of the characters; her calm control reminds audiences that she is running the show. Her greatest exertions accentuate Celimene's sexuality, tempting Alceste with a stocking-clad leg or suggestive negligee. One of the best scenes in the play has Celimene transforming Alceste from an indignant suitor into a groveling wretch. As she humiliates Alceste into wearing a ridiculous feathered band, the audience sees Celimene at the height of her coquettish powers...
Part of Miller's recent work, Broken Glass treats the long-but feebly-standing marriage bewteen a Jewish couple in 1938 Brooklyn. The wife, Sylvia (Tegan Shohet '01), has psychosomatic paralysis of the legs after seeing daily newspaper photographs of Nazi humiliation of Jews. Husband Phillip (Jesse Kellerman '01) is an anxious, fundamentally confused individual submerged in a WASP business; he approaches any given situation with bullish anxiety...
...minutes, "Rust" alternates between scenes of sheer cruelty and a type of low comedy, provided mostly by the shrieking, dull neighbor Miss Nancy (Tegan Willever), and a few familiar jokes about shouting in libraries and Geraldo Rivera. In the end, after his escape collapses just as his siblings have predicted, Brad comes close to a moral moment of truth--should he kill his mother, for all their sakes?--and Farnsworth does a good job in this scene, alternately stricken and hopeful. But the tension of the moment is dissipated in a ghostly flashback, which takes us back to the months...