Word: tannh
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Dates: during 1950-1959
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...just how formidable the effects are, London's Dr. E. P. Sharpey-Schafer and California Musician Maurice Faulkner last summer sat down in London. Faulkner huffed his way through several trumpet passages, including a phrase from Wolfram's Song to the Evening Star in Act III of Tannhäuser. In reporting their findings in the British Medical Journal, the researchers noted that...
Fischer-Dieskau is also one of the most consistently popular opera singers in Germany; aided by an imposing 6-ft. 2-in. figure, he has shaped a number of moving characterizations, e.g., Wolfram in Tannhäuser. Sir John Falstaff, and the title role in Busoni's Doktor Faustus. Even more surprising than the scope of his success is the fact that he had no early singing experience: he took his first voice lesson when he was 16, had scarcely started to sing professionally when he was drafted into the German army. As an American prisoner...
...tipsily toward the footlights, and gusts of damp winter air surged from the wings. The piano plunked like a loosely strung mandolin. But the audience listened to the big, barrel-chested baritone with the rapt concentration of buffs at the Metropolitan Opera. They stomped lusty approval of arias from Tannhäuser and The Barber of Seville, art songs by Delibes and Debussy, lieder by Karl Loewe and Schubert...
...after the war as assistant conductor at the Augsburg Opera (where he also occasionally tinkled the triangle in the pit). In 1953 he tried out (with 64 other applicants) for the job of music director at Aachen. With a piano score Sawallisch prepared Aachen's cut version of Tannhäuser, learned on his way to the podium for the last act that a 20-page cut had been restored, sailed through the intricate music at sight without a bobble. He was promptly hired...
World Music Festivals (Sun. 2 :30 p.m., CBS). Wagner's Tannhäuser, recorded at Bayreuth...