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...amazingly lucky in the pool of talent he could call on. There was Michelangelo himself, growing old (he would die at 89 in 1564) but still active: there are no fewer than 12 works by him in this show. Eccentric as this may sound, the most beautiful of them is the smallest, a tiny wooden carving - whittling, really - of the crucifixion torso, which manages to compress into its less than 30-cm-high block the tragic pathos of his late, unfinished stone carvings, such as the Rondanini Piet?. (The catalog also compares the carving to late Titian, late Rembrandt...

Author: /time Magazine | Title: Mighty Medici | 12/5/2002 | See Source »

...score the rights to use Balanchine’s moves in two dances free of charge because of Daines’ connection to the renowned School of American Ballet in New York City. Daines, as well as three other members of the company she says is saturated with amazing talent and excellent training, attended the school and there became sufficiently “fluent in the Balanchine technique” to be able to perform his celebrated steps...

Author: By Elizabeth W. Green, CRIMSON STAFF WRITER | Title: A Holiday Classic Revisited | 12/5/2002 | See Source »

Daines and her company are thrilled to be performing Balanchine’s choreography. “It’s a privilege to dance his stuff,” she says. But the prestige of the choreographer is, if not met, at least approached by the talent of the company. The company boasts highly experienced performers, two of whom have taken years off to dance professionally for the likes of the New York City Ballet, the premiere dance company in the nation...

Author: By Elizabeth W. Green, CRIMSON STAFF WRITER | Title: A Holiday Classic Revisited | 12/5/2002 | See Source »

Contrary to popular perception, Bush’s ideas and principles guide his advisers—not the other way around. Bush has a self-described “ability to recognize talent, ask [his advisers] to serve and work with them as a team.” He leads by instinct, personal charisma, a zeal for “real action” and a mandate to “provoke people…make sure it’s clear in everybody’s mind where we’re headed.” Woodward characterizes Bush?...

Author: By Divya A. Mani, CRIMSON STAFF WRITER | Title: For The Love of Bush | 12/5/2002 | See Source »

Given such promising talent and the huge potential markets for Chinese cinema with China’s entry into the World Trade Organzation, Weaver is hopeful, yet cautious in his prognosis for the future. He warns of the subordination of the creative to the commercial, a phenomenon which is reciprocally evident in China itself, where theaters play only major action films and American blockbusters. One wonders if American audiences will take to the budding Chinese independents, or whether the industry will become Hollywood-ized by the importunate mainstream demands of its consumers...

Author: By Darryl J. Wee, CRIMSON STAFF WRITER | Title: The Next Generation | 12/5/2002 | See Source »

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