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...broadcast under the direction of the State Board of Education. Professor Rogers asserts that the few educational programs now fostered by commercial stations are at best sporadic or punctuated with advertising. He claims that a state institution such as he suggests would cost little to maintain, and that talent could easily be secured for its programs...

Author: NO WRITER ATTRIBUTED | Title: THE SHORT WAVE TO EDUCATION | 2/27/1932 | See Source »

...theatre business. "The trouble with this racket is that all the shows has gone out of the hands of the theatrical families who knew how to amuse people, and into the hands of the business men who don't know a good show from high school and other where talent used to be tried...

Author: NO WRITER ATTRIBUTED | Title: Fred Allen Has Yen to See Two Dwarfs in Tug-of-War With Piece of Dental Floss--Fascinated by Stimson's Mustache | 2/18/1932 | See Source »

Liberal handicaps and latent talent combined to bring many inexperienced field men to the fore in the three events of the annual winter handicap track meet held on Soldiers field Yesterday. The majority of the events are slated for today and should attract University letterman, graduate students, and freshman. Yesterday Freshmen did well throughout, excelling in the high jump, which resulted in a quadruple tie between three Freshmen and a Sophomore...

Author: NO WRITER ATTRIBUTED | Title: UNKNOWNS STAR IN WINTER TRACK HANDICAP EVENTS | 2/10/1932 | See Source »

...music of Three's a Crowd and There Goes the Bride. Incorrigible, bandy-legged Charles Winninger is the comedian. The music is the most ambitious attempt of Vincent Youmans, than whom Richard Rogers, George Gershwin, Cole Porter or Jerome Kern are no better. And yet, for all this talent, Through the Years remains a dreary, lifeless affair of lavender and old lace. You will sit through the better part of three acts before you hear a tune anything like the kind Composer Youmans wrote for Rainbow, Great Day, Hit the Deck cr Florenz Ziegfeld's Smiles. Best number...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Feb. 8, 1932 | 2/8/1932 | See Source »

...that way in my work", declared Gershwin, as some one asked him "how he did it". "I didn't even start playing the piano until I was about 13 or 14", said the new famous composer, who is 34. "I guess I must have had a little talent or whatever-you-call-it, but I practised regularly, and that's what counts. In about a year or so I gave up the idea of being a great pianist and started writing simple popular music. I had several of my songs published and before long I was writing things for shows...

Author: NO WRITER ATTRIBUTED | Title: "Writing Music Is Not So Much Inspiration As Hard Work" Says George Gershwin After Rendition Of His New Concerto | 2/1/1932 | See Source »

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