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First to go to work was the Princess Roussadana who had a small talent in sculpture. She went to Hollywood to make busts of cinemactors, quickly discovered that titles were more salable than statuary. With her first commissions she began importing her brothers...

Author: /time Magazine | Title: RUSSIA: White Flowers | 6/26/1933 | See Source »

...Opera post because Kaiser Wilhelm gave it to him. But it is doubtful if Chancellor Hitler will want to grant Blech any more favors. Consensus last week was that most of the Festival performances would be directed by Karl Elmendorff, Bayreuth's staff conductor, a man of mediocre talent who in past years has turned out stupid performances shoddily rehearsed...

Author: /time Magazine | Title: Music: Bayreuth's Blight | 6/19/1933 | See Source »

...slope where the benches will be built is a seven-acre field where motorists can park free. A window of the old barn will be turned into a box office. The summer concerts will give Sokoloff a chance to spend his tireless energy and to exercise his great talent for building up a musical organization. Next season the New York Orchestra will give monthly concerts in Manhattan, tour around between times to smaller eastern cities which big expensive orchestras like the Boston, Philadelphia and New York Philharmonic no longer have time or money to visit. The New York Orchestra...

Author: /time Magazine | Title: Music: Sokoloff's Stadium | 6/19/1933 | See Source »

...forever. However, by devious remedies, his cuckolding is averted and his manliness reaffirmed in the end. Genevieve Tobin, as the lovely woman who stooped to what she thought was folly, is very good indeed, uniting to those charms with which she was endowed at birth, a certain undeniable talent for carrying off the comic situation. As for the story itself, it demonstrates that while the comedy of intrigue is not necessarily heavy-handed or vulgar in the movies, it is a very different genre from what goes under the name on the stage. "Pleasure Cruise" goes some way towards being...

Author: By K. D. C., | Title: CRIMSON PLAYGOER | 6/14/1933 | See Source »

Every character that appears on the screen is female, but the play does not suffer; Hertha Thiele interprets the part of Manuela with great talent and understanding, and the principal, Emilia Unda, brings a terrorizing sincerity to the role. Dorothea Wieck, who enacts the part of the friendly Fraulein von Bernburg, which appeals to every one in the audience, shows a fearless idealism...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 6/9/1933 | See Source »

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