Word: swiftness
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Mary Cunningham's name evokes scenes of boardroom intrigue, corridor passion and mergermaking behind closed doors. For more than three years Cunningham, 32, has remained steadfastly silent about the intimate details of her swift rise and fall at Bendix and her highly publicized relationship with Bendix Chairman William Agee, 46. Now she, along with Fran Schumer, tells her tale in Powerplay: What Really Happened at Bendix (Linden Press/Simon & Schuster...
...Soviet Union is unquestionably regarded as the principal external threat to Chinese security. The Sino-Soviet border clashes of 1969 and an abortive Soviet plan to take out China's nuclear facilities in a swift preemptive strike undoubtedly contributed to China's interest in repairing relations with the US and creating Sino-US ties that would give the Soviets pause in contemplating any military action against...
...newsletter. Fox wrote that "the letter makes a mockery of basic standards of civility, which the College takes seriously." Bok concurred that "tasteless and grossly insensitive references to groups of people (such as those made in the newsletter) have no place in this or any other civilized community." The swift administrative censure is reassuring and refreshing, but we hope that the University will also take further steps to attack the deeper problem the newsletter reflects...
Vastly unlike most Ibsen in both plot and style, Love's Comedy traces the romance between the young poet Falk (Adam Swift) and the rebellious and idealistic Svanhild (Caroline Isenberg). Around them, innumerable friends and relatives are becoming engaged--and, soon thereafter, seeing all the light and joy drain from their relationships. Falk spends most of his time vehemently denouncing these engagements and marriage in general, but soon finds himself falling prey to his own emotions Svanhild, for her part, in choosing between Falk and another suitor, must weigh the conflicting claims of freedom, a "perfect" and fleeting romance...
LIKEWISE, individual performances, however strong, cannot carry the entire evening--but the company does succeed in creating some startlingly effective scenes when the script gives them the chance. What momentum the play has comes largely from Adam Swift's vivid and energetic portrayal of Falk. Swift's stage presence and timing, even on the lamest dialogue, are remarkable; they lend enough conviction and pathos to his love affair to set the show eventually lumbering on its way. Caroline Isenberg as Svanhild, though more subdued and occasionally sappy in her delivery, ably matches him; the endless philosophical platitudes the two exchange...