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Word: sweaters (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Nadelman had his first show in a Paris gallery in 1909. His command of classic sculpture caused so much talk that Matisse put up a sign in his studio, forbidding discussion of Nadelman. The sculptor was then 27, a shy, handsome Pole in a turtleneck sweater who stayed away from the cafes, almost never left his studio except for long walks at night...

Author: /time Magazine | Title: Art: Monumental Dolls | 10/18/1948 | See Source »

...head, and don't be ashamed to show the world that you are shaped as a woman ought to be." But all her life she remained ashamed, awkward and uncontrollably shy. Now she was 41, "a big colourless woman in a brown skirt and a high-necked blue sweater. The shoulders were square, the neck long and firm, the legs straight and big, like pillars...

Author: /time Magazine | Title: Books: Poetic Thriller | 7/19/1948 | See Source »

...boob played by Red Skelton, attracts trouble as infallibly as he repels sales prospects. When one of the latter is murdered, Red is suspected. He spends the rest of the picture chin-deep in gunmen, detectives and pretty girls. One of the girls, Janet Blair, is about the prettiest sweater model in movies; Skelton, given half a chance, can be quite funny; the scripters have given him better-than-average chances...

Author: /time Magazine | Title: The New Pictures, May 31, 1948 | 5/31/1948 | See Source »

...days later, the apprentice's sweater is found washed up on the beach. The townspeople, surex that Grimes has committed another murder, head offstage on a new hunt, chanting now near, now far: "Peter Gri-imes ... Peter Gri-mes." As Peter appears on stage, clearly out of his mind, the orchestra is silent; the only sound to be heard is an eerie foghorn. His friend Balstrode warns him to "sail out . . . then sink the boat," before the mob finds him, and Peter Grimes obeys...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

...hard to believe that he could conceive so violent a play as Peter Grimes: it is almost like Baby Snooks reading lines from Medea. He is the kind of person no one remembers meeting at a party. Usually to be seen in a loose tweed coat, slacks and sweater, his hands habitually stuffed into his pockets, he has a rather tight, lean, nosy face which wrinkles easily into a vinegarish smile under a widow's peak of crinkly hair. He has a very English embarrassment about expressing emotion about anything. He is rarely a talker, usually a listener...

Author: /time Magazine | Title: Music: Opera's New Face | 2/16/1948 | See Source »

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