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Word: swallowing (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...title, this album is a persuasive blend of jazz and pop. Burton's mallets dance over the vibes knocking out masterly, improvised melodies. Occasionally he forays into the fugue, as in Lines, where Larry Coryell's country-blues guitar plays an especially effective counterpoint. Steve Swallow on bass provides a mellow underpinning, while Drummer Bobby Moses adds cymbal-splashes of color. On swiftly paced tracks such as June the 15, 1967, their rapid notes become a braided stream of bright sound...

Author: /time Magazine | Title: Television: Mar. 29, 1968 | 3/29/1968 | See Source »

...revolver. The traditional offstage commotion is heard a few moments later but no one rushes in to report that Semyon Panteleevich Yepikhodov has blown his brains out. Instead a character surmises that some bucket has dropped in some well, the play goes on and Yepikhodov comes back to swallow nails in the fourth...

Author: By George H. Rosen, | Title: The Cherry Orchard | 3/22/1968 | See Source »

White liberals must understand this. They will have to swallow a good deal of their self-righteous indignation--and genuine hurt. But they can never again wash their hands and complacently bear witness to the continued crucification of the black man in America. They must help black power along...

Author: By Larry A. Estridge, | Title: Black Power Blues | 3/14/1968 | See Source »

...adds up to strange jazz, and the strangest thing of all is that the Gary Burton Quartet makes it work brilliantly. The four-Vibraharpist Burton, 25, Guitarist Larry Coryell, 24, Bassist Steve Swallow, 27, and Drummer Bob Moses, 20-have been together only since July. Already they have caught on not only with hard-core jazz buffs in clubs from New York to Los Angeles but also with rock-oriented youngsters on college campuses and in San Francisco's Fillmore Auditorium. Their concert last week in Manhattan's Carnegie Recital Hall confirmed that jazz has found two major...

Author: /time Magazine | Title: Jazz: Liberated Spirits | 3/1/1968 | See Source »

Moses, whose repertory already includes "silent solos" in which he flails the air without hitting his drums, is now working on "a more multidirectional pulse that suggests infinite rhythmic feelings, so that the listener chooses the bar lines. It's like Jackson Pollock's painting." And Swallow, the most venturesome composer of the group, wants to pursue such directions as those he charted in General Mojo Cuts Up, in which the players improvise over a five-minute mélange of taped music, then pile their instruments into another impressionistic fancy while the tape is repeating. "Jazz...

Author: /time Magazine | Title: Jazz: Liberated Spirits | 3/1/1968 | See Source »

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