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...Ralph Sutton came cast from St. Louis two years ago for a short New York contract, and just stayed. His unique approach to ragtime piano and his remarkable repertoire have kept him popular. Customers at Condon's, once wont to chat through intermission piano and save their attention for the antics of Bruins, now treat the band with a conversational scorn but restrain themselves to gentle hell taps while Sutton experiments between sets...

Author: By Charles W. Bailey, | Title: JAZZ | 11/29/1949 | See Source »

...beer, turns out the stage lights, and addresses the piano. Hr begins every tune with a style just this side of Eddie Duchin, but infinitely more subtle; this pleasant music may last for as many as 32 bars before the cocktail pianist gives way to the ragtime revivalist. Sutton plays almost no ragtime "classics"--his entire repertoire consists of such out-of-context numbers like "Just One of Those Things," "The Way You Look Tonight," and "Body and Soul...

Author: By Charles W. Bailey, | Title: JAZZ | 11/29/1949 | See Source »

...plays the expected ones too, but only on request or by whim. "Peg O' My Heart" got a scornful but amazingly inventive treatment the night I last heard Sutton, while a private joke with clarinetist peanuts Hucko produced a "Sugar Blues" that laughed at Duchin and Peewee Hunt but wound up with three choruses that were all Sutton, joke or no joke...

Author: By Charles W. Bailey, | Title: JAZZ | 11/29/1949 | See Source »

...Selznick Releasing Organization had turned down a chance to book the British-made The Fallen Idol into Manhattan's 6,000-seat Radio City Music Hall, instead waited patiently to put it into the 550-seat Sutton theater, where the British-made Quartet was in its 28th week...

Author: /time Magazine | Title: Cinema: Sureseaters | 10/17/1949 | See Source »

...still rugged. Davison's group (This Is Jazz: 1, 3 10-inch records) is young, and it likes to fiddle around with tunes. A fine rhythm section-Baby Dodds, drums; Pops Foster, bass; Ralph Sutton, piano; and Danny Parker, guitar-make the base for all of these pieces. This segment stands out in "Eccentric" behind Davison's trumpet. Jimmy Archey, the small trombonist who made such a big noise in Boston last winter, handles the leads on "Hotter Than That" and "Big Butter And Egg Man," teaming on the latter with Sutton to manufacture a beautiful duct...

Author: By Charles W. Bailey jr., | Title: JAZZ | 9/26/1949 | See Source »

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