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This kind of work is extremely romantic, in a Surrealist way; it repeats, with twists, the old Surrealist vision of women as sorceresses or passive, quasi-mechanical objects of desire. It is no surprise to learn of her enthusiasm for the films of Luis Bunuel -- or, given the yearning and farcical behavior of some of her later sculptures, for those of Buster Keaton. Keaton, Horn points out, "has to invent the apparatus to achieve what he wants, and becomes completely obsessed by his mad world of imaginary things...

Author: /time Magazine | Title: Art: Mechanics Illustrated | 9/13/1993 | See Source »

...Metro, UBU -- DU BLUFF -- DUBUFFET, and others were not wrong in detecting, in Dubuffet's entranced and ironic use of thick pastes, an excremental vision parallel to Jarry's. One of the portraits of French intellectuals in his extravagantly controversial 1947 show at the Galerie Rene Drouin depicted the Surrealist writer Georges Limbour under the title Limbour Fashioned from Chicken Droppings. And even critics who disliked such mordant images were right on target about the context into which Dubuffet emerged, that of a postwar Paris depressed by material shortages and riven by political suspicions. "An empty pantry," wrote one critic...

Author: /time Magazine | Title: Art: An Outlaw Who Loved Laws | 7/26/1993 | See Source »

...title suggests, Zooropa is both a reflection of and a reaction to Zoo TV, which uses giant video screens, satellite technology and automobiles swinging from cranes to evoke the surrealist, fast-forward distortion of the digitalized global village. In the title track, garbled voices, piano and a pulsing bass emerge from a haze of static like a radio receiver tuning in to a distant signal...

Author: /time Magazine | Title: Future Shock From Ireland | 7/12/1993 | See Source »

...other national pavilions, the best is the American one, showing sculpture by Louise Bourgeois. Now 81 and at the top of her form, Bourgeois is the chief heiress of Surrealist obsession in America. Though her work is sometimes overpraised for feminist reasons, it carries a deep strand of % recollection interwoven with sexual fantasy and dreams of vengeance, refracted through strange uses of material. Included in the Venice show are some of her recent cage sculptures, including Cell (Choisy), a harsh essay on memory: inside an iron-mesh enclosure is a pink marble effigy of her childhood home in France, where...

Author: /time Magazine | Title: A Shambles In Venice | 6/28/1993 | See Source »

...Palace at 4 A.M. inspired the young American artist in the '30s to make a series of small iron precincts and even a miniature iron house, complete with iron paintings on the walls. Curator Gimenez's choice of his work is an exemplary condensation. Beginning with those initial Surrealist images, it picks up on the early sculptures that clearly indicate the bent of his talent, such as Amusement Park, 1938, a small work that both remembers Picasso's iron woman figures and conflates their shapes with roller coaster and Ferris wheel...

Author: /time Magazine | Title: Art: The Iron Age Of Sculpture | 5/3/1993 | See Source »

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