Search Details

Word: sunlight (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...that is-to accept death." And he luridly describes several suicides he witnessed (or imagined?), such as the beautiful girl who drowned herself and was washed ashore on a river bank, "beyond all human nakedness in the inaccessible solitude of death-her white firm breasts are lifted to the sunlight-a heroic torso of marble-blond stone in the soft grass...

Author: /time Magazine | Title: Books: The Invisible Man | 10/23/1964 | See Source »

...play is densely overgrown with metaphors and allusions. Pinter cultivates a whole thicket of symbolic references to vision, light, and self-knowledge: Edward's eyes hurt; the matchseller seems blind; the day is the longest in the year; Edward prefers the darkness of the house to the sunlight; and so on. Trying to chart this jungle would be a presumptuous sort of auto-analysis from which I will excuse myself--anyone who sees A Slight Ache should read the play and attack it with his own interpretive machete. And that "any-one" should be everyone who appreciates soundly produced modern...

Author: By Eugene E. Leach, | Title: Saroyan and Pinter | 10/21/1964 | See Source »

...longa, vita brevis to the contrary, most "immortal" paintings are all too perishable. Oil paintings in particular suffer from uneven temperatures, direct sunlight, or smog. Some of the finest works of Rembrandt, a meticulous craftsman, have darkened and yellowed after three centuries; several Van Gogh canvases are in danger of disintegration after only 75 or 80 years. As for abstract expressionist paintings, which are characteristically encrusted with heavy, hastily applied impastos-often by artists who are relatively untutored in the complexities of oil technique-museums find that they should be periodically turned upside down so that errant paint will ooze...

Author: /time Magazine | Title: Techniques: Plastic on the Palette | 10/16/1964 | See Source »

...gouache and oils. Matte and gloss media are available to impart every kind of surface finish, from chalky pastels and flat tempera to buttery oil glazes. Plastics can be thickened to print graphics or molded into free-standing sculpture. Moreover, under laboratory tests equivalent to 45 years of direct sunlight, the new paints have proved virtually fadeproof. Indeed, like every other technical innovation in the history of painting, the synthetics may well lead artists to explore, experiment and discover new forms and techniques as enduring as the paints themselves...

Author: /time Magazine | Title: Techniques: Plastic on the Palette | 10/16/1964 | See Source »

...MILES, Ranger's cameras show edge of the Sea of Clouds (left) with about as much detail as best pictures taken by biggest earth-based telescopes. Cross-shaped marks are reference points on the camera. Sunlight is falling from the left, casting shadows that permit measurement of elevations and depths. Areas between crater rims look smooth, but closer pictures (below) show this to be illusion. Fine spacing of TV lines gives pictures the quality of good photographs...

Author: /time Magazine | Title: Science: RANGER'S PICTURES OF THE MOON | 8/7/1964 | See Source »

First | Previous | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | Next | Last