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...capable of raising even moderate-sized rafters on either side of the Atlantic. Since the death of Enrico Caruso (1921), tenor departments of U. S. opera-houses have shown a steady decline. Today their audiences count it a privilege to hear their "Ridi Pagliaccios" and "La donna e mobiles" sung by anything bigger than a microphone voice...

Author: /time Magazine | Title: Music: Tenor | 12/13/1937 | See Source »

...macaroni maker, 34-year-old Masini worked once as a stevedore, then as a mechanic, was sent to Milan by admiring townsmen. He claims that he never took a singing lesson, that the Milanese taught him only repertory. He made a debut in Livorno (Tosca) in 1928 and has sung since at La Scala and other leading European opera-houses...

Author: /time Magazine | Title: Music: Tenor | 12/13/1937 | See Source »

...usual, the Harvard singers will be under the direction of G. Wallace Woodworth '24, with Irving G. Fine 1G and William W. Austin '39 as accompanists. Solos will be sung by David P. MacAllester '38 and James L. Morrisson...

Author: NO WRITER ATTRIBUTED | Title: GLEE CLUB PLANS FRIDAY CONCERT | 11/18/1937 | See Source »

With Cosi fan tutte ("They all do it") as its opener, the Guild showed that, though it could not do much for the vocal side of opera, it could, theatrically, provide as agreeable a romp as anything that had been sung on a Manhattan stage in years. Viennese Theo Otto's frivolous set and gay 18th-Century costumes-worn by opera singers who for once looked perfectly at home in them-made a completely plausible background for Mozart's tale of deception which proves that all women are fickle...

Author: /time Magazine | Title: Music: Salzburg Guild | 11/15/1937 | See Source »

...starless cast of the Salzburg Guild included: pretty Soprano Margarethe Menzel, 24, who once played the piano in a Viennese ladies' orchestra; pretty Contralto Hertha Glatz, 27, who has sung with the San Francisco Symphony; pretty Coloratura Soprano Marisa Merlo. so flip on the stage that audiences might not guess that she once nearly got herself to a nunnery; roly-poly Basso Alfred Hollander, once of the able German Theatre in Brunn, Czechoslovakia; Baritone Leo Weith, who sang the title role in the world premiere of Schwanda der Dudelsackpfeifer; Tenor Franco Perulli, onetime protege of Tenor Tito Schipa...

Author: /time Magazine | Title: Music: Salzburg Guild | 11/15/1937 | See Source »

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