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...relief of his literary admirers, Archibald MacLeish dropped his wartime role of political soothsayer and returned, in some sections of Act five, to the personal lyrics he had once sung so well. From England came the apocalyptic chants of Edith Sitwell, who had journeyed a long way from her early preciosities. Her Song of the Cold contained some good war poetry. (It was a year in which America became Sitwell conscious, and the touring Sitwells discovered America. Osbert Sitwell sketched an acid portrait of his delightfully eccentric father in Laughter in the Next Room; Sacheverell, youngest of the literary family...

Author: /time Magazine | Title: Books: The Year in Books, Dec. 20, 1948 | 12/20/1948 | See Source »

...shouted. But Booth's burnoose could not disguise his lurching, hand-wringing acting. Like most Met stage lovers, he more often sang of his passion to Conductor Busch, at whom he stared fixedly, than to Desdemona. The Bronx's burly Leonard Warren couldn't have sung the role of lago with more splendor and imagination-or acted it with less. Soprano Licia Albanese, in her first Met Desdemona, was fine in her lyrical moments in the Willow Song and the magnificent Ave Maria; but as a dramatic soprano, she lacked enough voltage to electrify the house...

Author: /time Magazine | Title: Music: Curtain Up in New York | 12/13/1948 | See Source »

...Kissing Bandit (MGM) pokes some good-humored fun at the buskin-and-bluster heroes of costume melodrama. The picture itself is only a costume piece, with a little vaudeville thrown in. Its best features are the broad comedy by J. Carroll Naish, the sentimental songs sung by Frank Sinatra and Kathryn Grayson, and some lively Spanish dances...

Author: /time Magazine | Title: The New Pictures, Nov. 29, 1948 | 11/29/1948 | See Source »

Folk songs composed the bulk of the program, numbers from Latin America, from England and America, and from the Yale Song Book. The first portion ended with a swirl in Randall Thompson's "Tarantella," conducted by the composer and sung enthusiastically, if not distinctly, by the two Glee Clubs. After the intermission, the Yale group did a moving interpretation of the cowboy song "Old Paint," but they waited till their "Deitsch Company," an old drinking song, to bring down the house. The double yodel featured here was at once carefree and harmonious, and the Harvard group, a more Glee Club...

Author: By Donald P. Spence, | Title: The Music Box | 11/22/1948 | See Source »

Songs for the "Cliff-Riff" portion of the program include "Fascinating Rhythm," "Laura," and "I've Got You Under My Skin," sung with the Krocodiloes. All songs were arranged by Anthony E. Bonner '49. Samuel V. K. Willson '50 is in charge of directing and coordinating the work of the two groups...

Author: NO WRITER ATTRIBUTED | Title: Radcliffe Had A Busy Week . . . | 11/20/1948 | See Source »

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