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Ella Fitzgerald Sings the Cole Porter Song Book (Verve, 2 LPs). Thirty-two sophisticated songs, sweet, hot and tough, sung with the utmost simplicity by the queen of popular singers. The Fitzgerald method, in her own words, is to "just sing," and at least half of her poignance comes from the fact that she sings right in the heart of the note (instrumentalists like to say they tune up to her notes). Strangely enough, she can breathe right in the middle of a phrase and get away with it-a nice way of suggesting that she is not so sophisticated...
...Washington last week a Senate appropriations subcommittee heard a 1956 version of the re-enlistment blues. As sung by Assistant Defense Secretary Carter L. Burgess, it was a different tune. It did not concern the "dog soljer"; it was about highly trained specialists whose skills range from running an infantry squad to directing propulsion operations on an atomic submarine. Re-enlistment rates, said Burgess, are dangerously low, particularly among the men who are the most expensive to train, whose capacities are greatest and whose talents would be "the most critical in modern war." Some of the statistics...
...program began with a song cycle for baritone and piano by Thomas Beveridge, sung by the composer, with Frederic Rzewski accompanying. The four songs, based upon a German text, treat each of the seasons in turn: Fall (prayer), Winter (song of the inner soul), Spring (creation), and Summer (music of the spheres). Beveridge writes in a modal style. His lyrical melodies, though expressive, are seldom very distinctive. The pieces contain an abundance of material out of proportion to their length, for the music attempts to follow every change of the text without being sufficiently integrated. The form of the songs...
...gets deft performances from both Stewart and Doris Day. But the pace grows laggard toward the end. Instead of using music as a background for action, Hitchcock moves it up front, and moviegoers must sit still not only for the dismayingly long cantata but also for special numbers sung by Doris Day. The chief drawback of these musical stage-waits is that they allow the audience to think back over the story and conclude that it doesn't make much sense...
...looked into the seventh heaven of Chinese genius." Working mainly in sumi ink and brush, Sesshu changed the Chinese art of landscape into something typically Japanese, portraying traditional Japanese scenes in sure, strong brush strokes that gave a new vigor and vision to the exquisite lines of the Chinese Sung period. From Sesshu onward, Japanese painting had a look of its own and a tradition still practiced by such modern masters as Taikwan Yokohama (TIME, Sept...