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French opera fans are wary of opera sung in foreign tongues: German, in particular, they think, is a language that sits uneasily in the throat. Nevertheless, when Soprano Elisabeth Schwarzkopf, 46, was lured to Paris to make a double debut-as the Marschallin in Der Rosenkavalier at the Paris Opéra, and as the Countess in Capriccio at the Opéra Comique-both productions were cast in the original German. In Soprano Schwarzkopf's case, the language might also have served as a reminder of her early career as a leader of a Nazi studentbund...

Author: /time Magazine | Title: Music: A Happy Balance | 2/23/1962 | See Source »

Soprano Birgit Nilsson, scheduled to sing the role of Brünnhilde, had to bow out the evening before the performance. General Manager Rudolf Bing gave the role to Soprano Margaret Harshaw, who was to have sung Sieglinde; into the Sieglinde role went Soprano Gladys Kuchta. One of the Valkyries, Mezzo Gladys Kriese, was ill with tracheitis: her part went to Mezzo Ethel Greene, regularly a member of the chorus...

Author: /time Magazine | Title: Music: Crash Landing at the Met | 1/19/1962 | See Source »

...buttons, similar to those sold last month, show a white and a Negro hand clasped across a map of North America with the words "We Shall Overcome" above. The picture is the SNCC symbol; the words are from a often sung by students during protest demonstrations...

Author: By Steven V. Roberts, | Title: Freedom Fund Head Asks Student Support of SNCC | 1/17/1962 | See Source »

...enough to be 40, let alone the age you claim." In 1960, Secretary Paperman refused to turn over certain of Goldfine's tax records to the Internal Revenue Service and served ten days in pokey for her loyalty. But this time, it was whispered, Mildred had sung and sung to the federal investigators, naming names and testifying to the length of 120 pages...

Author: /time Magazine | Title: Massachusetts: The Loyal Secretary | 1/12/1962 | See Source »

...such renegade scholar was Shen Chou, whose delightful study of a cat is done in exuberant brush strokes of ink and wash. Shen Chou's acute observation of nature is expressed differently from the literati schools, which tended towards meticulous brush work well exemplified in a Sung drawing of a cat by Li Ti. The lively spirit of the cat is spontaneously displayed by Shen Chou's expressive brush. It is nearly lost amid Li Ti's minute strokes...

Author: By Sarah H. Waite, | Title: Chinese Art Treasures | 1/12/1962 | See Source »

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