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Word: sung (lookup in dictionary) (lookup stats)
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Feelings, in short, could be sung but not said. Not in public. Not on campus. Surely not in a contemporary book or a film. Herman Hesse, yes; he was safely Nobel-prized?and safely dead. But Love Story...

Author: /time Magazine | Title: Show Business: Ali MacGraw: A Return to Basics | 1/11/1971 | See Source »

...have been both surprised and shocked at the extent to which people in the Harvard community have been upset with Chris Durang's The Greatest Musical Ever Sung, and I write at this late date [Dec. 14] only because hostile letters have appeared so recently in the CRIMSON. As an Episcopal clergyman who does indeed "still take his eucharist seriously," I can only say that I found Durang's musical a sheer delight and not in the least offensive. To compare it, as one letter did (CRIMSON, 11/30), to "a musical satire of the life and death of Malcolm...

Author: By The Sanutuary, | Title: 'A GOOD LAUGH' | 1/5/1971 | See Source »

...alma mater question. I take full responsibility for suggesting to Fenno Heath that each group sing its own. It was my opinion that until such time as women are officially admitted to Harvard College, the official song representing the institution should be sung...

Author: By F. JOHN Adams, | Title: Glee Club Answers Charge of Sexism | 12/15/1970 | See Source »

Concerning your review of The Greatest Musical Ever Sung: is it a newspaper's business to avoid "bad taste" or to report on what is happening and the manner in which it happens? I am surprised that three professors of English-men who have to do professionally with Swift, Brecht, Poyce, Mark Twain-signed a letter identifying as "arrogance" and nothing else the expression of scorn (if it was that: the musical's title indicates parody) for what others hold sacred. The "sacred" is a function of the collective consciousness; as such it is bound at intervals to fall into...

Author: NO WRITER ATTRIBUTED | Title: The Mail ARROGANCE OR SCORN? | 12/14/1970 | See Source »

Tuesday Weld is an understandably desirable love object, a genuine Lolita, but she can make little sense of her rather muddy character. Ralph Meeker, as the ruthless moonshiner, is all sinister smiles and barely repressed violence. The music, sung by Johnny Cash, is slick and unemotional. The main flaw is that the love affair between Alma and the sheriff lacks the qualities of desperation and frustration that would make it convincing. Alvin Sargent's script does not help matters much with such ritual movie Southernisms as "Eat your beans, Grandpa" and "Would you like a Dr Pepper?" Peck succeeds...

Author: /time Magazine | Title: Cinema: Autumn Passion | 12/14/1970 | See Source »

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