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...Suffragist Susan B. Anthony. Thomson's score is a bright crazy quilt of American folk tunes, gospel hymns, marches and sentimental ballads that evoke pungent memories of an earlier time. Stein's libretto is her customary trenchant blend of logic with nonsense, historical characters like Lillian Russell (sung by Karen Beck) with imaginary figures like the mobile angel (Ashley Putnam). Snippets of political speeches are intercut with Stein's excursions into absurdities. "I understand you undertake to overthrow my undertaking," Susan B. accuses. "Daniel Webster needs an artichoke," reports the angel, scooting by on her skates...

Author: /time Magazine | Title: Music: An American Momma | 8/23/1976 | See Source »

...Amiens; not only does he speak well but he proves himself an absolutely splendid tenor in rendering Lee Hoiby's songs. And the bright E-major setting of "It was a lover and his lass," the loveliest song in all the plays (albeit extraneous here), is enchantingly and impeccably sung by two little boy-sopranos, Harold Safferstein and David Vogel. These lads then scatter blossoms on the ground before the concluding lei-bedecked wedding festivities and swirling jig. But all this is not enough to make one forget the absence of green, green, green...

Author: By Caldwell Titcomb, | Title: 'As You Like It' in a Forest Without Green | 8/6/1976 | See Source »

...tune was the Depression lament Brother, Can You Spare a Dime?, but the lyrics-sung by a character playing Mayor Abraham Beame in this year's Inner Circle satire by political reporters -are all too relevant today. Beame still cannot sell New York City bonds, and the state's Municipal Assistance Corporation securities marketed on the city's behalf recently suffered a ratings drop by Moody's Investors Service. Last week the city's unrelenting financial crisis gave New Yorkers yet another painful jolt. With the entire City University of New York system temporarily closed...

Author: /time Magazine | Title: NEW YORK: Scramble for Solvency | 6/14/1976 | See Source »

Hoof and Croon. Kelly has directed some new sequences to introduce the film clips, pleasant interludes sung and danced by the director and Fred Astaire, appearing together for the first time in a movie since they did The Babbit and the Bromide in Ziegfeld Follies (1946). Astaire is 77 but retains his very particular charm. He is part boulevardier, part made-in-U.S.A. naïf. Kelly, 63 and still able to dance in and out of rain puddles better than anyone else ony earth, stages these hoof-and-croon sessions with roughhouse smoothness. Among the assorted clips...

Author: /time Magazine | Title: The Theater: Musical Stages | 6/7/1976 | See Source »

...become a nationwide singing idol was hopeless. Too bad, because he certainly looked the part, with his long brown Prince Valiant locks, rosebud lips and gray-green almond-shaped eyes. He had also had all the prescribed early breaks. He had been "discovered" on the Tonight Show four times, sung with Don Rickles in Reno and Vegas, played the Copa, Jimmy's and the Rainbow Room in Manhattan, signed a $7,500 contract with Epic Records and toured the top spas on the Borscht Belt...

Author: /time Magazine | Title: Television: The $390,000 Man | 5/31/1976 | See Source »

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