Word: sudden
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Dates: during 1970-1979
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...gives his narrator speeches front and center stage, not separate enough, not isolated enough. A perch on the fire escape/balcony, even a stroll nearer the audience would have been a nice touch. The lighting was properly dim, but the frequent blackouts for scene changes were too stark, too sudden, t.v.-like, often disturbing the sense of a flow of dream images. Finally, Williams' script calls for fiddle music at the beginning and end of the play, framing it in a Southern, story-telling manner but also providing an old-fashioned whine, a tug into the heart of this play...
...thought that both Kathy and Jenny would have made the finals. Jenny's knee just popped all of a sudden in the quarterfinals, which is too bad, because she was fencing beautifully up until that time," he said...
...audience rather than let it leap to a pat moral position. As Joanna undergoes cross-examination at the custody trial, her virtues ever so slowly reappear. Because she has now regained her selfesteem, she seems better able than before to be a good mother to her child. The sudden pull of Streep's performance confuses loyalties even further. As Joanna gives her own account of her marriage and her efforts to recover from it, Streep painfully sheds layer after layer of the character's past. In a few minutes, she creates an entire life onscreen: the loving bride...
...Spasm may be the underlying cause of angina, coronary attacks, and sudden unexplained death in cases where the heart arteries are partly clogged by fatty plaque buildup. Dr. Attilio Maseri reported that, while at the University of Pisa, he examined some 200 patients who suffered chest pains during periods of inactivity and who had varying degrees of atherosclerosis. He found that their chest pains were due to spasm. Said he: "Atherosclerotic narrowing of the vessels is the bystander rather than the culprit of angina in such patients." But, experts agree, a spasm that might merely hinder the flow of blood...
...more overtly. In truth, she mostly keeps her feelings protectively compressed behind an almost Conradian irony. Children, servants, old people draw her affection, partly because they are in a better position than the strong or successful to understand the real condition of life: that it is vulnerable to mysterious sudden changes, controlled by powers that the subject does not understand. Imaginative arrangements must be made, all of them temporary. "Gabriel at that time," Gallant writes about a young refugee in France, "still imagined that everyone's life must be about the same, something like a half-worked crossword puzzle...