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Word: subject (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...Michael Arlen's immediate subject in The Living Room War is not the staggering charnel house we live in and which lives on us. It is that small, luminous, oracular, electronic avatar called television. Arlen is in passionate agreement with Richard Goodwin who writes: "We pass through all this tumult seated before the inexorable shadows of a TV set-certainly the greatest psychic disturber ever created...

Author: By Chris Rochester, | Title: The Living Room War | 10/9/1969 | See Source »

...much entertainment as Jackie Gleason. Television regards social outrage-even in the euphemistic form of protest, irony, or bitterness-as intolerable betrayal of the public trust. It has profoundly affected us all, even as we move to criticize it, and reduced our spirits to onerous waste. Vietnam, the implicit subject of Arlen's book, has been turned, despite unprecedented "coverage," into a cause (somehow worthy) of America's fetid evangelical toil. The only thing that TV brings to us with immediacy is its own senescent code of ethics...

Author: By Chris Rochester, | Title: The Living Room War | 10/9/1969 | See Source »

...techniques can play a crucial role in New College groups. Rather than ignore the phycho dynamics of discussion- and surely what you say to anyone is affected by your personal relation to him- we hope to explore them, and in that way to enhance our understanding of the subject matter and ourselves...

Author: By Sandy Bonder, | Title: Harvard New College Has Begun-Again | 10/7/1969 | See Source »

...there is any subject, or subjects, on which Miss Harvey feels that she has expert knowledge it might be better for her to stick to pronouncements on such matters rather than making patronizing generalizations which apparently are based on somewhat inadequate information...

Author: By Moyra CLARKE Secretary, | Title: The Mail WORKERS RESPOND | 10/6/1969 | See Source »

...progress. More explicitly, the natural world for Baillie is a world in which light plays freely; in man's world light is confined refracted, or invented (for instance, the use of lighted store interiors as a metaphor for death in Mass for the Sioux Dead ). Baillie's most frequent subject is the interaction between a poetic Nature and an ugly modernity, producing a restriction on the play of light...

Author: By Joel Haycock, | Title: The Moviegoer Films of Bruce Baillie Second in a two-part retrospective at the Harvard-Epworth Church, 7 p.m. | 10/3/1969 | See Source »

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